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Stanley Kubrick at Look Magazine : Authorship and Genre in Photojournalism and Film / Philippe Mather.

By: Material type: TextTextPublication details: Bristol, UK : Intellect, 2013.Description: 1 online resource (320 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781783200443
  • 1783200448
Subject(s): Genre/Form: Additional physical formats: Print version:: Stanley Kubrick at Look Magazine : Authorship and Genre in Photojournalism and Film.DDC classification:
  • 791.430233092
LOC classification:
  • PN1998.3 .M384 2013
  • PN1998.3.K83 M38 2013eb
Online resources:
Contents:
Psychosocial context: A formative period. Stanley Kubrick at Look Magazine in the lifespan -- Macro-objective analysis: Look Magazine's organizational structure -- Micro-objectivity: The work culture at Look Magazine -- Macro-subjectivity: Look Magazine's conception of photojournalism -- Micro-subjectivity: Stanley Kubrick's conception of photojournalism and film -- Photojournalism genres: A semantic/syntactic/pragmatic approach -- Photography and film: History, ontology and pragmatics -- From photojournalism to film: transmedial correspondences in the formal and stylistic systems -- Photography in film: Photographic and documentary aspects of Kubrick's films.
Summary: From 1945 to 1950, during the formative years of his career, Stanley Kubrick worked as a photojournalist for Look magazine. Offering a comprehensive examination of the work he produced during this period, Stanley Kubrick at Look Magazine sheds new light on the aesthetic and ideological factors that shaped his artistic voice. Tracing the links between his photojournalism and films, Philippe Mather shows how working at Look fostered Kubrick's emerging talent for combining images and words to tell a story. Mather then demonstrates how exploring these links enhances our understanding of Kubrick's.
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Includes bibliographical references (pages 289-295) and index.

Psychosocial context: A formative period. Stanley Kubrick at Look Magazine in the lifespan -- Macro-objective analysis: Look Magazine's organizational structure -- Micro-objectivity: The work culture at Look Magazine -- Macro-subjectivity: Look Magazine's conception of photojournalism -- Micro-subjectivity: Stanley Kubrick's conception of photojournalism and film -- Photojournalism genres: A semantic/syntactic/pragmatic approach -- Photography and film: History, ontology and pragmatics -- From photojournalism to film: transmedial correspondences in the formal and stylistic systems -- Photography in film: Photographic and documentary aspects of Kubrick's films.

From 1945 to 1950, during the formative years of his career, Stanley Kubrick worked as a photojournalist for Look magazine. Offering a comprehensive examination of the work he produced during this period, Stanley Kubrick at Look Magazine sheds new light on the aesthetic and ideological factors that shaped his artistic voice. Tracing the links between his photojournalism and films, Philippe Mather shows how working at Look fostered Kubrick's emerging talent for combining images and words to tell a story. Mather then demonstrates how exploring these links enhances our understanding of Kubrick's.

Online resource; title from PDF title page (EBL, viewed May 22, 2013).

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