Where film meets philosophy : Godard, Resnais, and experiments in cinematic thinking / Hunter Vaughan.

By:

Vaughan, Hunter [author.]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780231530828
023153082X

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Where film meets philosophy.DDC classification:

791.4301 23

LOC classification:

PN1995 .V375 2013eb

Online resources:

Click here to access online

Contents:

Introduction: where film meets philosophy -- Phenomenology and the viewing subject -- Film connotation and the signified subject -- Sound, image, and the order of meaning -- Alain Resnais and the code of subjectivity -- Jean-Luc Godard and the code of objectivity -- Conclusion: where film and philosophy may lead.

Summary: Closely reading the films of Jean-Luc Godard and Alain Resnais, Hunter Vaughan establishes a connection between phenomenology and image-philosophy to analyze the moving image and its challenge to conventional modes of thought. Striving to establish a clear foundation for the recent field of inquiry called?film-philosophy," he devises a systematic theory of film's philosophical function and its deconstruction of classic oppositional concepts, such as subject and object, real and imaginary, and interior and exterior. After merging Maurice Merleau-Ponty's theory of subject-object rel.

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Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 229-238) and index.

Closely reading the films of Jean-Luc Godard and Alain Resnais, Hunter Vaughan establishes a connection between phenomenology and image-philosophy to analyze the moving image and its challenge to conventional modes of thought. Striving to establish a clear foundation for the recent field of inquiry called?film-philosophy," he devises a systematic theory of film's philosophical function and its deconstruction of classic oppositional concepts, such as subject and object, real and imaginary, and interior and exterior. After merging Maurice Merleau-Ponty's theory of subject-object rel.

Print version record.

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