Spectacles of reform : theater and activism in nineteenth-century America / Amy E. Hughes.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780472028894
- 0472028898
- 1283941600
- 9781283941600
- Theater -- United States -- History -- 19th century
- Theater and society -- United States -- History -- 19th century
- American drama -- 19th century -- History and criticism
- Spectacular, The, in literature
- Spectacular, The -- History -- 19th century
- Théâtre -- États-Unis -- Histoire -- 19e siècle
- Théâtre et société -- États-Unis -- Histoire -- 19e siècle
- Théâtre américain -- 19e siècle -- Histoire et critique
- Spectaculaire dans la littérature
- Spectaculaire -- Histoire -- 19e siècle
- POLITICAL SCIENCE -- Civil Rights
- American drama
- Spectacular, The
- Spectacular, The, in literature
- Theater
- Theater and society
- United States
- 1800-1899
- 792.0973/09034 23
- PN2256 .H86 2012e
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 213-234) and index.
The body as/in/at the spectacle -- The delirium tremens: spectacular insanity in The drunkard -- The fugitive slave: Eliza's flight in Uncle Tom's cabin -- The railroad rescue: suffrage and citizenship in Under the gaslight -- Afterword: our sensations, our heroes, our freaks.
Print version record.
Explores how and why spectacle is a crucial component of the reform apparatus and a defining characteristic of American activism in general, whether highly organized or quietly quotidian. It advocates for a consideration of spectacle as methodology : a unique system of communication, employed in myriad context, that rehearses and sustains conceptions of race, gender and class in extremely powerful ways. Spectacle capitalizes on the sensational and the profane, embracing what is deliberately hidden or secretly imagined and giving it material form.
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