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Spectacles of reform : theater and activism in nineteenth-century America / Amy E. Hughes.

By: Material type: TextTextSeries: ACLS Humanities E-BookPublication details: Ann Arbor : University of Michigan Press, ©2012.Description: 1 online resource (x, 248 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780472028894
  • 0472028898
  • 1283941600
  • 9781283941600
Subject(s): Genre/Form: Additional physical formats: Print version:: Spectacles of reform.DDC classification:
  • 792.0973/09034 23
LOC classification:
  • PN2256 .H86 2012e
Online resources:
Contents:
The body as/in/at the spectacle -- The delirium tremens: spectacular insanity in The drunkard -- The fugitive slave: Eliza's flight in Uncle Tom's cabin -- The railroad rescue: suffrage and citizenship in Under the gaslight -- Afterword: our sensations, our heroes, our freaks.
Subject: Explores how and why spectacle is a crucial component of the reform apparatus and a defining characteristic of American activism in general, whether highly organized or quietly quotidian. It advocates for a consideration of spectacle as methodology : a unique system of communication, employed in myriad context, that rehearses and sustains conceptions of race, gender and class in extremely powerful ways. Spectacle capitalizes on the sensational and the profane, embracing what is deliberately hidden or secretly imagined and giving it material form.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 213-234) and index.

The body as/in/at the spectacle -- The delirium tremens: spectacular insanity in The drunkard -- The fugitive slave: Eliza's flight in Uncle Tom's cabin -- The railroad rescue: suffrage and citizenship in Under the gaslight -- Afterword: our sensations, our heroes, our freaks.

Print version record.

Explores how and why spectacle is a crucial component of the reform apparatus and a defining characteristic of American activism in general, whether highly organized or quietly quotidian. It advocates for a consideration of spectacle as methodology : a unique system of communication, employed in myriad context, that rehearses and sustains conceptions of race, gender and class in extremely powerful ways. Spectacle capitalizes on the sensational and the profane, embracing what is deliberately hidden or secretly imagined and giving it material form.

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