Theatre history studies, 2012 . Volume 32 / edited by Rhona Justice-Malloy.

Includes bibliographical references.

Company: Keynote Speech from the Thirty-second Mid-America Theatre Conference / Bill Rauch -- Cut the Cow, Cut the Queen: Problems of Cultural Translation / Virginia Scott -- Companies to Keep: Air-Raid Dramas and International Ethical Responsibility in America, 1936-1939 / Lisa Jackson-Schebetta -- Failed Attempt at World Domination: "Advanced Vaudeville," Financial Panic, and the Dream of a World Trust / Marlis Schweitzer -- Company She Kept: The Radical Activism of Actress Kitty Marion from Piccadilly Circus to Times Square / Christine Woodworth -- "The Picture Postcard is a sign of the times": Theatre Postcards and Modernism / Penny Farfan -- More Aggressive Plantation Play: Henrietta Vinton Davis and John Edward Bruce Collaborate on Our Old Kentucky Home / Thomas Robson -- Midwest American Rural Landscapes and the Creation of a Unique Theatre Culture, 1870-1940 / Richard L. Poole -- Ibsen's Unexpected Triumph: Peer Gynt at the Seattle Repertory Playhouse / Victor Holtcamp -- Book Reviews -- Tim Donahue and Jim Patterson, Stage Money: The Business of the Professional Theater / Heather A. Beasley -- Sarah Werner, ed., New Directions in Renaissance Drama and Performance Studies / Shawna Mefferd Carroll -- Jan Balakian, Reading the Plays of Wendy Wasserstein / Miriam Chirico -- Laura Bradley, Cooperation and Conflict: GDR Theatre Censorship, 1961-1989 / Stacey Connelly -- Robert A. Schanke, Queer Theatre and the Legacy of Cal Yeomans / James Fisher -- Veronica Kelly, The Empire Actors: Stars of Australasian Costume Drama, 1890S-1920S / Richard Fotheringham -- Gene A. Plunka, Holocaust Drama: The Theater of Atrocity / Elinor Fuchs -- Virginia Scott, Women on the Stage in Early Modern France, 1540-1750 / Perry Gethner -- Sherry D. Engle, New Women Dramatists in America, 1890-1920, and Alma J. Bennett, American Women Theatre Critics: Biographies and Selected Writings of Twelve Reviewers, 1753-1919 / Helen Huff -- Scott Magelssen and Rhona Justice-Malloy, eds., Enacting History / Scott R. Irelan -- Edward Forman, Historical Dictionary of French Theater, and Helen Solterer, Medieval Roles for Modern Times: Theater and the Battle for the French Republic / Felicia Hardison Londre -- James F. Wilson, Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance / Adrienne Macki Braconi -- Philip Lambert, To Broadway, To Life! The Musical Theater of Bock and Harnick / Chris M. Mccoy -- Kevin K. Durand and Mary K. Leigh, eds., The Universe of Oz: Essays on Baum's Series and Its Progeny / Katharine M. Rogers -- Cherise Smith, Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith / Mark Seamon -- Madhavi Menon, ed., Shakesqueer: A Queer Companion to the Complete Works of Shakespeare / Chad Allen Thomas -- Douglas S. Harvey, The Theatre of Empire: Frontier Performances in America, 1750-1860 / Aaron M. Tobiason -- Felicity Nussbaum, Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater / Sophie Tomlinson -- Marla Carlson, Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists / Dan Venning -- Charlotte M. Canning and Thomas Postlewait, eds., Representing the Past: Essays in Performance Historiography, and Henry Bial and Scott Magelssen, eds., Theatre Historiography: Critical Interventions / Gary Jay Williams -- Laurence Senelick, ed., The American Stage: Writing on Theater from Washington Irving to Tony Kushner / Don B. Wilmeth.

Theatre History Studies, currently edited by Rhona Justice-Malloy, is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms.

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