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Minority theatre on the global stage : challenging paradigms from the margins / edited by Madelena Gonzalez and Hélène Laplace-Claverie ; translations into English and French by Madelena Gonzalez ; with thanks to Vivien Giladi and René Agostini.

Contributor(s): Material type: TextTextLanguage: English, French Original language: Undetermined Publication details: Newcastle upon Tyne, UK : Cambridge Scholars Publishing, ©2012.Description: 1 online resource (xxiv, 407 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1443838373
  • 9781443838375
  • 1299643825
  • 9781299643826
Subject(s): Genre/Form: Additional physical formats: Print version:: No titleDDC classification:
  • 792.0941
LOC classification:
  • PN2219.E84 M56 2012
Online resources:
Contents:
LE JACOBITISME, THÈME DOMINANT DU THÉÂTRE DE L'ÉCOSSE REBELLE AU SEIN DU ROYAUME-UNIDARIO FO OU LA PASSION DE L'HISTOIRE; CHAPTER FOUR; LE THÉÂTRE CATALAN CONTEMPORAIN; MARCO POLO VOYAGEUR À LA DÉCOUVERTEDE CIVILISATIONS À PRÉSERVER; PINO PETRUZZELLI; COMMENT SE DÉCOLLER DE L'ÉTIQUETTE; HAMLET AND SEGISMUNDO; CHAPTER FIVE; MINORITY PERSPECTIVES IN TENNESSEE WILLIAMS'S VIEUX CARRÉ BY THE WOOSTER GROUP; PERSONAL OR POLITICAL?; INTERVIEW WITH REBECCA LENKIEWICZ; THÉÂTRES " IMPOSSIBLES "; CHAPTER SIX; LE THÉÂTRE CONTEMPORAIN POUR LA JEUNESSE; DIRE, ÉCRIRE, METTRE EN SCÈNE, INTERPRÉTER.
Minority theatre in the age of globalization / Madelena gonzalez -- Ch. 1. Marginal Presences: Alternative Aesthetics and the Ethics of Minority Theatre. Bernard-Marie Koltès -- Paroles communes : pour une éthique de la Minorité / Arnaud Maïsetti -- Le rire de Genet. Ironie de la déconstruction du théâtre des revendications identitaires / Nathanaël Wadbled -- La mise en scène du silence chez Juan Mayorga : un engagement historique et éthique / Claire Spooner -- Plinio Marcos : les exclus sociaux sur la scène brésilienne / Claudia Braga.
Summary: All over the world, in the most varied contexts, contemporary theatre is a rich source for increasing the visibility of communities generally perceived by others as minorities, or those who see themselves as such. Whether of a linguistic, ethnic, political, social, cultural or sexual nature, the claims of minorities enjoy a privileged medium in theatre. Perhaps it is because theatre itself is linked to the notions of centre and periphery, conformism and marginality, domination and subjugation ...
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

LE JACOBITISME, THÈME DOMINANT DU THÉÂTRE DE L'ÉCOSSE REBELLE AU SEIN DU ROYAUME-UNIDARIO FO OU LA PASSION DE L'HISTOIRE; CHAPTER FOUR; LE THÉÂTRE CATALAN CONTEMPORAIN; MARCO POLO VOYAGEUR À LA DÉCOUVERTEDE CIVILISATIONS À PRÉSERVER; PINO PETRUZZELLI; COMMENT SE DÉCOLLER DE L'ÉTIQUETTE; HAMLET AND SEGISMUNDO; CHAPTER FIVE; MINORITY PERSPECTIVES IN TENNESSEE WILLIAMS'S VIEUX CARRÉ BY THE WOOSTER GROUP; PERSONAL OR POLITICAL?; INTERVIEW WITH REBECCA LENKIEWICZ; THÉÂTRES " IMPOSSIBLES "; CHAPTER SIX; LE THÉÂTRE CONTEMPORAIN POUR LA JEUNESSE; DIRE, ÉCRIRE, METTRE EN SCÈNE, INTERPRÉTER.

Minority theatre in the age of globalization / Madelena gonzalez -- Ch. 1. Marginal Presences: Alternative Aesthetics and the Ethics of Minority Theatre. Bernard-Marie Koltès -- Paroles communes : pour une éthique de la Minorité / Arnaud Maïsetti -- Le rire de Genet. Ironie de la déconstruction du théâtre des revendications identitaires / Nathanaël Wadbled -- La mise en scène du silence chez Juan Mayorga : un engagement historique et éthique / Claire Spooner -- Plinio Marcos : les exclus sociaux sur la scène brésilienne / Claudia Braga.

Print version record.

All over the world, in the most varied contexts, contemporary theatre is a rich source for increasing the visibility of communities generally perceived by others as minorities, or those who see themselves as such. Whether of a linguistic, ethnic, political, social, cultural or sexual nature, the claims of minorities enjoy a privileged medium in theatre. Perhaps it is because theatre itself is linked to the notions of centre and periphery, conformism and marginality, domination and subjugation ...

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