Minority theatre on the global stage : challenging paradigms from the margins / edited by Madelena Gonzalez and Hélène Laplace-Claverie ; translations into English and French by Madelena Gonzalez ; with thanks to Vivien Giladi and René Agostini.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 1443838373
- 9781443838375
- 1299643825
- 9781299643826
- 792.0941
- PN2219.E84 M56 2012
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
LE JACOBITISME, THÈME DOMINANT DU THÉÂTRE DE L'ÉCOSSE REBELLE AU SEIN DU ROYAUME-UNIDARIO FO OU LA PASSION DE L'HISTOIRE; CHAPTER FOUR; LE THÉÂTRE CATALAN CONTEMPORAIN; MARCO POLO VOYAGEUR À LA DÉCOUVERTEDE CIVILISATIONS À PRÉSERVER; PINO PETRUZZELLI; COMMENT SE DÉCOLLER DE L'ÉTIQUETTE; HAMLET AND SEGISMUNDO; CHAPTER FIVE; MINORITY PERSPECTIVES IN TENNESSEE WILLIAMS'S VIEUX CARRÉ BY THE WOOSTER GROUP; PERSONAL OR POLITICAL?; INTERVIEW WITH REBECCA LENKIEWICZ; THÉÂTRES " IMPOSSIBLES "; CHAPTER SIX; LE THÉÂTRE CONTEMPORAIN POUR LA JEUNESSE; DIRE, ÉCRIRE, METTRE EN SCÈNE, INTERPRÉTER.
Minority theatre in the age of globalization / Madelena gonzalez -- Ch. 1. Marginal Presences: Alternative Aesthetics and the Ethics of Minority Theatre. Bernard-Marie Koltès -- Paroles communes : pour une éthique de la Minorité / Arnaud Maïsetti -- Le rire de Genet. Ironie de la déconstruction du théâtre des revendications identitaires / Nathanaël Wadbled -- La mise en scène du silence chez Juan Mayorga : un engagement historique et éthique / Claire Spooner -- Plinio Marcos : les exclus sociaux sur la scène brésilienne / Claudia Braga.
Print version record.
All over the world, in the most varied contexts, contemporary theatre is a rich source for increasing the visibility of communities generally perceived by others as minorities, or those who see themselves as such. Whether of a linguistic, ethnic, political, social, cultural or sexual nature, the claims of minorities enjoy a privileged medium in theatre. Perhaps it is because theatre itself is linked to the notions of centre and periphery, conformism and marginality, domination and subjugation ...
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