The psychophysical ear : musical experiments, experimental sounds, 1840-1910 / Alexandra Hui.
Material type:
TextSeries: Transformations (M.I.T. Press)Publisher: Cambridge, Massachusetts : The MIT Press, 2012Description: 1 online resource (xxii, 233 pages) : illustrationsContent type: - text
- computer
- online resource
- 128374161X
- 9781283741613
- 026230595X
- 9780262305952
- Psychoacoustics -- History -- 19th century
- Psychoacoustics -- History -- 20th century
- Sound -- Experiments -- History -- 19th century
- Sound -- Experiments -- History -- 20th century
- Avant-garde (Music) -- History -- 19th century
- Avant-garde (Music) -- History -- 20th century
- Psychoacoustique -- Histoire -- 19e siècle
- Psychoacoustique -- Histoire -- 20e siècle
- Musique expérimentale -- Histoire -- 19e siècle
- Musique expérimentale -- Histoire -- 20e siècle
- MEDICAL -- Neuroscience
- PSYCHOLOGY -- Neuropsychology
- SCIENCE -- History
- Avant-garde (Music)
- Psychoacoustics
- Sound -- Experiments
- 1800-1999
- SCIENCE, TECHNOLOGY & SOCIETY/History of Science
- ARTS/Music & Sound Studies
- COGNITIVE SCIENCES/Psychology/Cognitive Psychology
- 612.8/54 23
- QP461 .H85 2013
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria.
Includes bibliographical references and index.
Print version record.
Transformations: Studies in the History of Science and Technology; Contents; Acknowledgments; Introduction; 1 Gustav Fechner, the Day View, and the Origins of Psychophysics; 2 From Sonically Moving Forms to Inaudible Undertones: The New Musical Aesthetics of A. B. Marx, Eduard Hanslick,and Hugo Riemann; 3 Sound Materialized and Music Reconciled: Hermann Helmholtz; 4 The Aesthetics of Attention: Ernst Mach's Accommodation Experiments, His Psychophysical Musical Aesthetics, and His Friendship with Eduard Kulke
5 The Bias of Musikbewusstsein When Listening in the Laboratory, on the City Streets, and in the FieldCoda; Appendix; Notes; References; Index
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