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Song from the land of fire : continuity and change in Azerbaijanian mugham / Inna Naroditskaya.

By: Material type: TextTextSeries: Current research in ethnomusicology ; v. 6.Publication details: Hoboken : Taylor and Francis, 2012.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781136759512
  • 1136759514
Subject(s): Genre/Form: Additional physical formats: Print version:: Song from the Land of Fire : Azerbaijanian Mugam in the Soviet and Post-Soviet Periods.DDC classification:
  • 782.6294361047
LOC classification:
  • ML345.A98
Online resources:
Contents:
SONG FROM THE LAND OF FIRE CONTINUITY AND CHANGE IN AZERBAIJANIAN MUGHAM; Copyright; Contents; List of Figures; List of Musical Examples; Selections on Compact Disc; Acknowledgements; Preface; Chapter 1 Split Identity: The Historical and Literary Heritage of Azerbaijan; Chapter 2 ""Mugham Is Not Music"": The Complex Aesthetics of Islam; Chapter 3 ""A Wave of Melodious Sound"": The Basics of Mugham; Chapter 4 The Sound of Traditional Mugham; Chapter 5 The Modernization/Westernization of Mugham; Chapter 6 Mugham Lineages: Fathers and Sons, Masters and Disciples; Chapter 7 Symphonic Mugham
Chapter 8 Women's Voices Defying and Defining the CultureChapter 9 Conclusion: Mugham as Signifier; Chapter 10 Travel Notes: 1997 and 2002; Glossary; Notes; Bibliography; Index
Summary: This book examines Azerbaijani musical culture of the soviet and post-soviet era with a special focus on mugam . Mugam, bringing together classical poetry with musical improvisation, is examined as a symbol of both continuity and adaptability in response to the social, political and gender dynamics of the Soviet Union.
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Includes bibliographical references and index.

SONG FROM THE LAND OF FIRE CONTINUITY AND CHANGE IN AZERBAIJANIAN MUGHAM; Copyright; Contents; List of Figures; List of Musical Examples; Selections on Compact Disc; Acknowledgements; Preface; Chapter 1 Split Identity: The Historical and Literary Heritage of Azerbaijan; Chapter 2 ""Mugham Is Not Music"": The Complex Aesthetics of Islam; Chapter 3 ""A Wave of Melodious Sound"": The Basics of Mugham; Chapter 4 The Sound of Traditional Mugham; Chapter 5 The Modernization/Westernization of Mugham; Chapter 6 Mugham Lineages: Fathers and Sons, Masters and Disciples; Chapter 7 Symphonic Mugham

Chapter 8 Women's Voices Defying and Defining the CultureChapter 9 Conclusion: Mugham as Signifier; Chapter 10 Travel Notes: 1997 and 2002; Glossary; Notes; Bibliography; Index

This book examines Azerbaijani musical culture of the soviet and post-soviet era with a special focus on mugam . Mugam, bringing together classical poetry with musical improvisation, is examined as a symbol of both continuity and adaptability in response to the social, political and gender dynamics of the Soviet Union.

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