Representations of Gender and Female Subjectivity in Contemporary Irish Drama by Women.
Material type:
TextPublication details: Lewiston : Edwin Mellen Press, 2010.Description: 1 online resource (261 pages)Content type: - text
- computer
- online resource
- 9780773419025
- 0773419020
- English drama -- Irish authors -- History and criticism
- English drama -- Women authors -- History and criticism
- English drama -- 20th century -- History and criticism
- English drama -- 21st century -- History and criticism
- Women and literature -- Ireland -- History -- 20th century
- Women and literature -- Ireland -- History -- 21st century
- Gender identity in literature
- Women in literature
- Théâtre anglais -- Auteurs irlandais -- Histoire et critique
- Théâtre anglais -- 20e siècle -- Histoire et critique
- Femmes et littérature -- Irlande -- Histoire -- 20e siècle
- Femmes et littérature -- Irlande -- Histoire -- 21e siècle
- Identité sexuelle dans la littérature
- Femmes dans la littérature
- DRAMA -- English, Irish, Scottish, Welsh
- English drama
- English drama -- Irish authors
- English drama -- Women authors
- Gender identity in literature
- Women and literature
- Women in literature
- Ireland
- English
- Languages & Literatures
- English Literature
- 1900-2099
- 822.9209352209415 822/.9209352209415
- PR8795.W65 K87 2010
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Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Print version record.
Departing from the assumption that female-authored drama has developed its own strategies or revitalized older ones, this book traces dramatization of the specific female experience on the contemporary Irish stage. This work also rescues from obscurity plays written by lesser known authors.
REPRESENTATIONS OF GENDER AND FEMALE SUBJECTIVITY IN CONTEMPORARY IRISH DRAMA BY WOMEN; Copyright Page; Dedication; Table of Contents; Foreword; Acknowledgements; Introduction; Chapter 1: The Legacy of Foremothers and Contexts for theDevelopment of Women's Playwriting in Ireland; Chapter 2: Body Polities and Dress Codes; Chapter 3: Performance, Metatheatre, and Carnival; Chapter 4: Character Constellations and Female Genealogies; Chapter 5: Storytelling, Narrators, and the Monologue Form; Chapter 6: Adaptation, Rewriting, and intertextuality; Chapter 7: Space and the Trope of the Journey
English.
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