The German Joyce / Robert K. Weninger ; foreword by Sebastian D.G. Knowles.

By:

Weninger, Robert

Material type: Text

TextSeries: Florida James Joyce seriesPublication details: Florida : University Press of Florida, 2012.Description: 1 online resource (271 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780813043685
0813043689
9780813043678
0813043670

Subject(s): Genre/Form:

Additional physical formats: Print version:: No titleDDC classification:

823.912

LOC classification:

PR6019.O9 G384 2012

Online resources:

Click here to access online

Contents:

Cover; Contents; List of Figures; Foreword; Acknowledgments; Introduction; Part I. The Nacheinander: The German Reception of Joyce; 1. Exiles, Act I: Enter James Joyce, a "Poet of Silence and Truth"; 2. "The Homer of Our Time": The German Reception of Ulysses, 1919-1945; 3. "Joyce has made me a different reader: I am just glad I don't have to understand him": The Institutionalization of "Joyce" after 1945; Part II. The Nebeneinander: Intertextual Echoes; 4. "A Great Poet on a Great Brother Poet": A Parallactic Reading of Goethe and Joyce; 5. Joyce, DADA & Co.: Modernist ConInfluences.

6. The Epitome of the Epiphany: Stephen and Malte, Joyce and Rilke7. "'Concordances' of Utter Chaos Post Rem": A Portrait of James Joyce as a Chapter in German (Marxist) Literary History; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z.

Summary: In August 1919, a production of James Joyce's Exiles was mounted at the Munich Schauspielhaus and quickly fell due to harsh criticism. The reception marked the beginning of a dynamic association between Joyce, German-language writers, and literary critics. It is this relationship that Robert Weninger analyzes in The German Joyce. Opening a new dimension of Joycean scholarship, this book provides the premier study of Joyce's impact on German-language literature and literary criticism in the twentieth century. The opening section follows Joyce's linear intrusion from the 1910s to the 1990s by.

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Print version record.

In August 1919, a production of James Joyce's Exiles was mounted at the Munich Schauspielhaus and quickly fell due to harsh criticism. The reception marked the beginning of a dynamic association between Joyce, German-language writers, and literary critics. It is this relationship that Robert Weninger analyzes in The German Joyce. Opening a new dimension of Joycean scholarship, this book provides the premier study of Joyce's impact on German-language literature and literary criticism in the twentieth century. The opening section follows Joyce's linear intrusion from the 1910s to the 1990s by.