The making of the Pentecostal melodrama : religion, media and gender in Kinshasa / Katrien Pype.

By:

Pype, Katrien

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780857454959
0857454951
1282254227
9781282254220
9786613814876
6613814873

Subject(s):

Genre/Form:

Electronic books.

Additional physical formats: Print version:: Making of the Pentecostal melodrama.DDC classification:

791.45096751/12 23

LOC classification:

GN654 .P97 2012eb

Online resources:

Click here to access online

Contents:

Illustrations; Acknowledgments; On Language; Chapter 1 -- The First Episode; Chapter 2 -- Cursing the City: The Ethnographic Field and the Pentecostal Imagination; Chapter 3 -- New Fathers and New Names: Social Dynamics in an Evangelizing Acting Group; Chapter 4 -- Variations on Divine Afflatus: Artistic Inspiration, Special Effects, and Sermons; Chapter 5 -- Mimesis in Motion: Embodied Experiences of Performers and Spectators; Chapter 6 -- The Right Road: Moral Movements, Confessions, and the Christian Subject; Chapter 7 -- Opening Up the Country: Christian Popular Culture, Generation Trouble, and Time; Chapter 8 -- Marriage comes from God: Negotiating Matrimony and Urban Sexuality (Part I); Chapter 9 -- The Danger of Sex: Negotiating Matrimony and Urban Sexuality (Part II); Chapter 10 -- Closure, Subplots, and Cliffhanger.

Summary: How religion, gender, and urban sociality are expressed in and mediated via television drama in Kinshasa is the focus of this ethnographic study. Influenced by Nigerian films and intimately related to the emergence of a charismatic Christian scene, these teleserials integrate melodrama, conversion narratives, Christian songs, sermons, testimonies, and deliverance rituals to produce commentaries on what it means to be an inhabitant of Kinshasa.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

How religion, gender, and urban sociality are expressed in and mediated via television drama in Kinshasa is the focus of this ethnographic study. Influenced by Nigerian films and intimately related to the emergence of a charismatic Christian scene, these teleserials integrate melodrama, conversion narratives, Christian songs, sermons, testimonies, and deliverance rituals to produce commentaries on what it means to be an inhabitant of Kinshasa.