The piano works of the Brazilian Composer Marlos Nobre : a guide to the repertoire / Bernardo Scarambone.

By:

Scarambone, Bernardo

Material type: Text

TextPublication details: Lewiston : Edwin Mellen Press, 2012.Description: 1 online resource (162 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780773412248
0773412247

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Piano Works of the Brazilian Composer Marlos Nobre : A Guide to the Repertoire.DDC classification:

786.2092

LOC classification:

MT145.N56 S32 2012

Online resources:

Click here to access online

Contents:

Homenagem a Ernesto Nazareth Op. 1a; Nazarethiana Op. 2; Ciclos Nordestinos; Primeiro Ciclo Nordestino Op. 5; Tema e Variacoes Op. 7; 16 Variacoes sobre um Tema de Fructuoso Vianna Op. 8, N. 1; Toccatina, Ponteio e Final Op. 12; Segundo Ciclo Nordestino Op. 13; Terceiro Ciclo Nordestino Op. 22; Sonata Breve Op. 24; Homenagem a Arthur Rubinstein Op. 40; Quatro Ciclo Nordestino Op. 43; Quatro Momentos Op. 44; Sonata sobre un tema de Bartok Op. 45; Tango Op. 61; Sonatina Op. 66; Toccata 2. Op. 102.

Frevo 2 Op. 105.

Summary: This presents a detailed and well articulated analysis of the piano works of Marlos Nobre. Nobre is a Brazilian composer who has taught at Yale, the Universities of Indiana, Oklahoma, Arizona, and the Juilliard School. His strong personal connection to the beloved instrument in his first composition, Homenagem a Ernesto Nazareth, Op. 1a 1959, until his latest piano creation, Frevo, Op. 105 in 2007 are explained and discussed. The music represents the rich cultural heritage of his current home in Rio de Janeiro, and in the introduction the early musical influences are explained in his own words.

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Frevo 2 Op. 105.

This presents a detailed and well articulated analysis of the piano works of Marlos Nobre. Nobre is a Brazilian composer who has taught at Yale, the Universities of Indiana, Oklahoma, Arizona, and the Juilliard School. His strong personal connection to the beloved instrument in his first composition, Homenagem a Ernesto Nazareth, Op. 1a 1959, until his latest piano creation, Frevo, Op. 105 in 2007 are explained and discussed. The music represents the rich cultural heritage of his current home in Rio de Janeiro, and in the introduction the early musical influences are explained in his own words.