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Engendering Interaction with Images.

By: Material type: TextTextPublication details: Bristol : Intellect, 2012.Description: 1 online resource (170 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781841506678
  • 1841506672
Subject(s): Genre/Form: Additional physical formats: Print version:: Engendering Interaction with Images.DDC classification:
  • 702.81
LOC classification:
  • P93.5 .B384 2012
Online resources:
Contents:
Front Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgements; Image Credits; Chapter 1: Introduction; PART I: ECOSYSTEM; Chapter 2: Image; Chapter 3: Effectiveness; Chapter 4: Interaction; PART II: ENGENDERING INTERACTION WITH IMAGES; Chapter 5: Collaborative design through active interaction; Chapter 6: Collaborative design through active interaction with a dynamic image; Chapter 7: Computer mediated collaborative design of a static image; Acronym Glossary; Notes; Index; Colophon; Back Cover.
Summary: No longer passive spectators of images, these days we are more likely to be active participants in their production, distribution, and consumption - which raises important questions about the consequences of widespread user interaction on meaning, communicative effectiveness, and society at large.
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Print version record.

Front Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgements; Image Credits; Chapter 1: Introduction; PART I: ECOSYSTEM; Chapter 2: Image; Chapter 3: Effectiveness; Chapter 4: Interaction; PART II: ENGENDERING INTERACTION WITH IMAGES; Chapter 5: Collaborative design through active interaction; Chapter 6: Collaborative design through active interaction with a dynamic image; Chapter 7: Computer mediated collaborative design of a static image; Acronym Glossary; Notes; Index; Colophon; Back Cover.

No longer passive spectators of images, these days we are more likely to be active participants in their production, distribution, and consumption - which raises important questions about the consequences of widespread user interaction on meaning, communicative effectiveness, and society at large.

English.

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