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The cultural politics of twentieth-century Spanish theatre : representing the auto sacramental / Carey Kasten.

By: Material type: TextTextPublication details: Lanham : Bucknell University Press, c2012.Description: 1 online resource (xxxix, 220 p.)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781611483826
  • 1611483824
  • 1280656867
  • 9781280656866
  • 9786613634160
  • 6613634166
Subject(s): Genre/Form: Additional physical formats: Print version:: The cultural politics of twentieth-century Spanish theatreDDC classification:
  • 306.4/84809460904 23
LOC classification:
  • PN2784
Online resources:
Contents:
Introduction: autonomizing the Calderonian auto sacramental -- Tradition revised: the auto sacramental in the early twentieth century. The avant-garde rediscovery of the auto -- Francoism and the auto as political mouthpiece restoring the auto: from the battlefield to a national theater -- Tradition overthrown: the auto sacramental in the post-Franco era. Subverting tradition: Francisco Nieva and his sacred irreverence -- Emerging from darkness: national and theatrical revision in Jesús Campos García's A ciegas -- The auto industry: anti-commercialism and the plays of Ernesto Caballero -- Conclusion.
Summary: This book addresses seventeenth- and twentieth-century Spanish theater, providing close readings of plays and their performances as well as the cultural and political climates in which these plays were produced. This is the first book dedicated to the study of the twentieth-century auto, and the book's unique cross-temporal approach appeals to a broad range of scholars of Spanish studies.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (p. 199-216) and index.

Introduction: autonomizing the Calderonian auto sacramental -- Tradition revised: the auto sacramental in the early twentieth century. The avant-garde rediscovery of the auto -- Francoism and the auto as political mouthpiece restoring the auto: from the battlefield to a national theater -- Tradition overthrown: the auto sacramental in the post-Franco era. Subverting tradition: Francisco Nieva and his sacred irreverence -- Emerging from darkness: national and theatrical revision in Jesús Campos García's A ciegas -- The auto industry: anti-commercialism and the plays of Ernesto Caballero -- Conclusion.

Description based on print version record and CIP data provided by publisher; resource not viewed.

This book addresses seventeenth- and twentieth-century Spanish theater, providing close readings of plays and their performances as well as the cultural and political climates in which these plays were produced. This is the first book dedicated to the study of the twentieth-century auto, and the book's unique cross-temporal approach appeals to a broad range of scholars of Spanish studies.

English.

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