Hart Crane's poetry : "Appollinaire lived in Paris, I live in Cleveland, Ohio" / John T. Irwin.

Includes bibliographical references and index.

Print version record.

Cover -- Contents -- Preface -- Part One. The Bridge -- 1 The Pictorial and the Poetic; The Bridge as a Prophetic Vision of Origins -- 2 The Visual Structure of Prophetic Vision; a Simultaneous Glimpse Before and Behind -- 3 Spengler�s Reading of Perspective as a Culture-Symbol -- 4 The Bridge and the Paintings in the Sistine Chapel; Moses and Jesus: Columbus and Whitman; Joseph Stella; El Greco�s Agony in the Garden; the Grail; Dionysus and Jesus -- 5 Counterpoint in The Bridge -- 6 Foreshadowing and Lateral Foreshadowing; the Grail Quest.

Eliot�s The Waste Land7 The Return to Origin; the Total Return to the Womb; the Primal Scene; Vision and Invisibility; the Dual Identification -- 8 The Reversal of the Figures of Father and Mother in “Indiana�; Crane�s Dream of the Black Man by the River; Crane�s Quarrel with His Father; the Composition of “Black Tambourine� -- 9 Crane�s Dream of His Mother�s Trunk in the Attic -- 10 Fantasies of Return to the Womb and the Primal Scene; Three Dimensions Reduced to Two as a Sign of Body Transcendence; the Triple Archetype; Goethe�s Faust.

Platoâ€?s Cave Allegory as aSublimated Womb Fantasy Helen as Mother; the Influence of Williams and Nietzsche; Demeter, Korē, and the Amerindian Corn Mother -- 11 Building the Virgin; Craneâ€?s “To Libertyâ€?; Lazarusâ€?s “The New Colossusâ€?; Helen and Psyche; Astraea and the Constellation Virgo; Demeter and Korē the Virgin Mary and Queen Elizabeth I -- 12 The Education of Henry Adams; Arnoldâ€?s “Stanzas from the Grande Chartreuseâ€?; Wandering between Two Worlds; Senecaâ€?s Medea; Whitman and the Rebound Seed -- 13 “Three Songsâ€?; Golden Hair.

€œQuaker Hillâ€? and the Motherly Artist the Return of the Golden Age; Astraea and Atlantis -- 14 Epic Predecessors: Aeneas and Dido; Survival through a Part-Object; Stellar Translation and the Golden-Haired Grain -- 15 The Historical Pocahontas and the Mythical Quetzalcoatl; Prescott, Spence, and D.H. Lawrence as Influences on The Bridge; Waldo Frankâ€?s Our America and the Image of Submergence -- 16 Nietzsche and the Return of the Old Gods; Zarathustra and Quetzalcoatl; the Eagle and the Serpent; the Dance -- 17 The Aeneid, Book 6, and “The Tunnelâ€?

€œCutty Sarkâ€? and Glaucus in Ovid Burnsâ€?s “Tam oâ€? Shanterâ€?; Glaucus in Keatsâ€?s Endymion -- 18 Time and Eternity in “Cutty Sarkâ€?; Stamboul Rose, Atlantis Rose, and Danteâ€?s Rose; Moby-Dick and “Cutty Sarkâ€? -- 19 The Historical Cutty Sark; Hero and Leander; Jason and the Argo; Dante and the Argo -- 20 Constellations and The Bridge -- 21 Constellations Continued; Panis Angelicus -- 22 Time and Eternity; Temporal Narrative and Spatial Configuration; the Bridge as Memory Place; “Atlantisâ€?; One Arc Synoptic of All Times

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