Amazon cover image
Image from Amazon.com

Jews and theater in an intercultural context / edited by Edna Nahshon.

Contributor(s): Material type: TextTextSeries: Brill's series in Jewish studiesPublication details: Leiden : BRILL, 2012.Description: 1 online resource (406 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004227194
  • 9004227199
  • 9789004227170
  • 9004227172
Subject(s): Genre/Form: Additional physical formats: Print version:: Jews and Theater in an Intercultural Context.DDC classification:
  • 792.0892/4 23
LOC classification:
  • PN1650.J48 J48 2012
Online resources:
Contents:
Acknowledgments; Preface; List of Contributors; Religion and Origins; Angel, She-ass, Prophet: The Play and its Set-Design; From Alexandria to Berlin: The Hellenistic Play Exagoge Joins the Jewish Canon; La Pasión de Jesús en Tafí: The Representation of Jews in a Contemporary Argentine Passion Play; Going Against the Grain: Jews and Passion Plays on the American Mainstream Stage, 1879-1929; Plays and Playwrights; Conceptions, Connotations, and/or Actions: The Figuration of Jewish Characters in Heinar Kipphardt's Plays.
Between "I and Thou": Buber, Expressionism and Ernst Toller's Search for CommunityHolocaust Memory in the French-Jewish Theater of Jean-Claude Grumberg; Holocaust; Voices from the Edge of the Abyss: Theatrical Texts from the Terezín/Theresienstadt Ghetto, 1941-45; Apart from the Document: Jews and Jewishness in Theater of the Real; Fritz Kortner on the Post-war Stage: The Jewish Actor as a Site of Memory; Interpretations and Reinterpretations; Jews in Fashion at the Moscow Art Theater; Restaging La Juive in a Post-Holocaust Context.
Contemporary Audiences and the Infamous 'Pound of Flesh' in Shakespeare's The Merchant of VeniceThe Contemporary Scene; The Joy of Breaking Taboos: Jews and Post-War German Theater; The Relativization of Victim and Perpetrator in the Hungarian Productions of Merchant of Venice and Mein Kampf; From Purimspiel to Polish Masquerade: Performing Jewish Memory in Tykocin; Diaspora Disneys: 'Jewface' Minstrelsy and 'Jewfaçade' Display in East-Central Europe and Eurasia; From Halakha to Hadassah: Queer Jewish Performance Art; Appendix: Mama's Coming Back, Poor Orphan [A Song] by Jean-Claude Grumberg.
Summary: A collection of essays by an international cadre of theater scholars, which addresses Jewish theater practitioners, playwrights, critics, financiers and audiences roles in the development of the European and American theater.
Item type:
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Acknowledgments; Preface; List of Contributors; Religion and Origins; Angel, She-ass, Prophet: The Play and its Set-Design; From Alexandria to Berlin: The Hellenistic Play Exagoge Joins the Jewish Canon; La Pasión de Jesús en Tafí: The Representation of Jews in a Contemporary Argentine Passion Play; Going Against the Grain: Jews and Passion Plays on the American Mainstream Stage, 1879-1929; Plays and Playwrights; Conceptions, Connotations, and/or Actions: The Figuration of Jewish Characters in Heinar Kipphardt's Plays.

Between "I and Thou": Buber, Expressionism and Ernst Toller's Search for CommunityHolocaust Memory in the French-Jewish Theater of Jean-Claude Grumberg; Holocaust; Voices from the Edge of the Abyss: Theatrical Texts from the Terezín/Theresienstadt Ghetto, 1941-45; Apart from the Document: Jews and Jewishness in Theater of the Real; Fritz Kortner on the Post-war Stage: The Jewish Actor as a Site of Memory; Interpretations and Reinterpretations; Jews in Fashion at the Moscow Art Theater; Restaging La Juive in a Post-Holocaust Context.

Contemporary Audiences and the Infamous 'Pound of Flesh' in Shakespeare's The Merchant of VeniceThe Contemporary Scene; The Joy of Breaking Taboos: Jews and Post-War German Theater; The Relativization of Victim and Perpetrator in the Hungarian Productions of Merchant of Venice and Mein Kampf; From Purimspiel to Polish Masquerade: Performing Jewish Memory in Tykocin; Diaspora Disneys: 'Jewface' Minstrelsy and 'Jewfaçade' Display in East-Central Europe and Eurasia; From Halakha to Hadassah: Queer Jewish Performance Art; Appendix: Mama's Coming Back, Poor Orphan [A Song] by Jean-Claude Grumberg.

Includes index.

A collection of essays by an international cadre of theater scholars, which addresses Jewish theater practitioners, playwrights, critics, financiers and audiences roles in the development of the European and American theater.

Print version record.

Includes bibliographical references and index.

eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide

There are no comments on this title.

to post a comment.

O.P. Jindal Global University, Sonepat-Narela Road, Sonepat, Haryana (India) - 131001

Send your feedback to glus@jgu.edu.in

Hosted, Implemented & Customized by: BestBookBuddies   |   Maintained by: Global Library