The Ballets russes and beyond : music and dance in belle-époque Paris / Davinia Caddy.
Material type:
TextSeries: New perspectives in music history and criticism ; 22.Publication details: Cambridge ; New York : Cambridge University Press, 2012.Description: 1 online resource (xvi, 237 pages) : illustrationsContent type: - text
- computer
- online resource
- 9781139380096
- 1139380095
- 9781139028189
- 1139028189
- 1139371819
- 9781139371810
- 9781139375801
- 1139375806
- 1316623637
- 9781316623633
- Ballets russes -- History
- Ballets russes
- Ballets Russes
- Ballet -- France -- Paris -- History -- 20th century
- Dance -- France -- Paris -- History -- 20th century
- Music -- France -- Paris -- History -- 20th century
- Paris (France) -- Social life and customs -- 20th century
- Ballet -- France -- Paris -- Histoire -- 20e siècle
- Danse -- France -- Paris -- Histoire -- 20e siècle
- Musique -- France -- Paris -- Histoire -- 20e siècle
- PERFORMING ARTS -- Dance -- Classical & Ballet
- PERFORMING ARTS -- Dance -- Modern
- PERFORMING ARTS -- Dance -- Reference
- Performing Arts
- Ballet
- Dance
- Manners and customs
- Music
- France -- Paris
- Balletgezelschappen
- Les Ballets russes
- Dansers
- Parijs
- 1900-1999
- 792.80944361 22
- GV1786.B35
- 24.16
- MUS000000
- J732.5
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Cover; The Ballets Russes and Beyond; Series; Title; Copyright; Dedication; Contents; Examples; Figures; Note on presentation; Acknowledgements; 1: Introduction: Le Génie de la danse; Period pleasure; Paris dancing; The Midas touch; Revisionism; Music and dance; Musicology and dance; A dual project; Suspended dualities; 2: Ballet at the Opéra and La Fête chez Thérèse; Backward glances: scene and narrative; Backbone: the score; Back-chat: music and drama; Comparing scores; Back to reality? A counter-narrative; Backing up (conclusion); 3: Nijinsky's Faune revisited; Synopsis; Illusionism.
ContemporaneityThe audio-visual contract; A web of affinity; Disciplinary resistance (conclusion); 4: Metaphors of invasion: the Ballets Russes and the French press; Puff; Confronting the press; Cosmopolitics; La Saison russe: les ballets juifs; L'invasion des barbares; From cosmopolitisme through primitivisme; Tripatouillage; Metaphors of invasion; Bad press; Vers l'erreur (conclusion); 5: Beyond and behind Le Coq d'or; The origins of Le Coq d'or; Le Coq d'or in the press; Superposition; The French response: opera (and singing); Ballet (and gesture).
The 'gesticulation' of opera: operatic performanceThe influence of music; Dance within opera; Opera-ballet; Danced opera; A trump card and a passport (conclusion); Select bibliography; Archives; French newspapers and journals; Books, articles and unpublished theses; Index.
A fresh perspective on the Ballets Russes, focusing on relations between music, dance and the cultural politics of belle-époque Paris.
Print version record.
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