Film light meaning and emotion

By:

Thompson, Lara

Material type: Text

TextPublication details: Manchester Manchester University Press 2015Description: xiii, 191 p. illustrations 21 cmISBN:

9780719086335

Subject(s):

DDC classification:

777.52 23 TH-F

LOC classification:

TR891 .T48 2015

Contents:

Introduction -- I. The presence of light. Identity -- Authenticity -- The imaginary -- II. The absence of light. Mystery -- The past -- The magic hour -- Afterglow.

Summary: "This groundbreaking and accessible introductory study offers a unique insight into the way illumination has transcended its diffuse functional boundaries and been elevated to a position of narrative and emotional importance, transforming it from an unobtrusive element of film style to an expressive and indispensable component."--Page 4 of cover.

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Holdings
Item type	Home library	Collection	Shelving location	Call number	Materials specified	Status	Date due	Barcode
Print	OPJGU Sonepat- Campus	General Books	Main Library	777.52 TH-F (Browse shelf(Opens below))		Checked out	06/09/2023	136179

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Previous	777 AM- Amateur filmmaking : the home movie, the archive, the web /	777 BR-C Cinematography : theory and practice : for cinematographers and directors /	777.52 MA-F Film lighting : Kris Malkiewicz ; drawings by Leonard Konopelski.	777.52 TH-F Film light meaning and emotion	777.6 MA-F The five C's of cinematography : motion picture filming techniques /	777.6 MA-F The five C's of cinematography : motion picture filming techniques /	778.3 DI- Discover the wonderland Astana photo guide	Next

Includes bibliographical references (pages 175-181), filmography (pages 169-174) and index.

Introduction -- I. The presence of light. Identity -- Authenticity -- The imaginary -- II. The absence of light. Mystery -- The past -- The magic hour -- Afterglow.

"This groundbreaking and accessible introductory study offers a unique insight into the way illumination has transcended its diffuse functional boundaries and been elevated to a position of narrative and emotional importance, transforming it from an unobtrusive element of film style to an expressive and indispensable component."--Page 4 of cover.

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