How to fix copyright

By:

Patry, William F

Material type: Text

TextPublication details: London Oxford University Press 2011Description: 1 online resource (x, 323 p.) illISBN:

9780190259938

Subject(s):

Additional physical formats: Print version: No titleDDC classification:

346.0482 23 PA-H

LOC classification:

K1420.5 .P3757 2011

Online resources:

Oxford scholarship online

Summary: The arrival of the Internet upended the relatively settled world of copyright law and has forced the complete rethink of how rights to a work are allocated and how delivery formats affect an originator's claims to the work. Most of the disputes around novel Internet media delivery systems derive from views on what constitutes a proper understanding of copyright. Who has the right to a work, and to what extent should we protect a rights holder's ability to derive income from it? Is it right to make copyrighted works free of charge? This book offers solutions for improving an increasingly outmoded system.

Item type:

Electronic-Books

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books Perpetual	346.0482 PA-H (Browse shelf(Opens below))		Available		700944

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Previous	346.048 RE- Research handbook on intellectual property and geographical indications	346.0482 CH-C Copyright users' rights	346.0482 NE-F From Maimonides to Microsoft the Jewish law of copyright since the birth of print	346.0482 PA-H How to fix copyright	346.0482 SU-M Moral rights principles, practice and new technology	346.0486 HA-C Competition law and patents a follow-on innovation perspective in the biopharmaceutical industry	346.0486 IN- Innovation without patents harnessing the creative spirit in a diverse world	Next

Includes bibliographical references and index.

The arrival of the Internet upended the relatively settled world of copyright law and has forced the complete rethink of how rights to a work are allocated and how delivery formats affect an originator's claims to the work. Most of the disputes around novel Internet media delivery systems derive from views on what constitutes a proper understanding of copyright. Who has the right to a work, and to what extent should we protect a rights holder's ability to derive income from it? Is it right to make copyrighted works free of charge? This book offers solutions for improving an increasingly outmoded system.

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