Chapter 8 Brecht as a Model for Cultural Development (Record no. 3088958)

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control field oapen63974
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control field oapen
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control field 20231221130918.0
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020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781003196334-11
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781032051581
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781032051611
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Standard number or code 10.4324/9781003196334-11
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041 0# - LANGUAGE CODE
Language code of text/sound track or separate title eng
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072 #7 - SUBJECT CATEGORY CODE
Subject category code HB
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Sturm, Rebecca
Relator code auth
9 (RLIN) 1657739
245 10 - TITLE STATEMENT
Title Chapter 8 Brecht as a Model for Cultural Development
Remainder of title East German ITI Events for Theatre Artists from the "Third World"
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Name of publisher, distributor, etc Taylor & Francis
Date of publication, distribution, etc 2024
300 ## - PHYSICAL DESCRIPTION
Extent 1 electronic resource (25 p.)
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506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Standardized terminology for access restriction Unrestricted online access
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520 ## - SUMMARY, ETC.
Summary, etc Despite the non-governmental status of the UNESCO-affiliated International Theatre Institute (ITI), its organisational structures enabled its member states to use it as an instrument of cultural representation for national and Cold War purposes. In the late 1970s and early 1980s, the East German national centre of the ITI hosted several seminars and colloquia for theatre artists from the Global South. These events focussed heavily on playwright Bertolt Brecht as a figurehead of East German theatre since his plays and theories were of great interest to the international theatre community. This chapter examines how the GDR centre used the international community of the ITI to find and contact artistically and politically suitable participants from emerging countries and how they conceptualized and adjusted their presentation of Brecht's work and methods not only according to their participants' needs, but also to build a specific national brand of soft power designed to appeal to artists and cultural policy makers in the non-aligned countries: the GDR and the East German artists as partners and supporters of nation building.
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Text of note H2020 European Research Council
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Terms governing use and reproduction Creative Commons
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Uniform Resource Identifier <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/">https://creativecommons.org/licenses/by-nc-nd/4.0/</a>
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element History
Source of heading or term bicssc
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Cultural Cold War, decolonization, postcolonial studies, cultural diplomacy, national theatre
773 1# - HOST ITEM ENTRY
Title Performing the Cold War in the Postcolonial World
Control subfield nnaa
Other item identifier OAPEN Library UUID: 9e1ecd82-6dee-4ba3-868c-8afb9a3cf77a
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Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/id/7c5c29b6-e9ee-4c49-9429-47bf4154af3f/9781003196334_10.4324_9781003196334-11.pdf">https://library.oapen.org/bitstream/id/7c5c29b6-e9ee-4c49-9429-47bf4154af3f/9781003196334_10.4324_9781003196334-11.pdf</a>
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Public note Open Access: OAPEN Library, download the publication
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Uniform Resource Identifier <a href="https://library.oapen.org/handle/20.500.12657/63974">https://library.oapen.org/handle/20.500.12657/63974</a>
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Public note Open Access: OAPEN Library: description of the publication
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