MARC details
000 -LEADER |
fixed length control field |
03572naaaa2200325uu 4500 |
001 - CONTROL NUMBER |
control field |
http://library.oapen.org/handle/20.500.12657/39433 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20220714220418.0 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
111.9781787351516 |
024 7# - OTHER STANDARD IDENTIFIER |
Standard number or code |
10.14324/111.9781787351516 |
Terms of availability |
doi |
041 0# - LANGUAGE CODE |
Language code of text/sound track or separate title |
English |
042 ## - AUTHENTICATION CODE |
Authentication code |
dc |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
DS |
Source |
bicssc |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
AC |
Source |
bicssc |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Kay, Sarah |
Relator code |
edt |
9 (RLIN) |
205761 |
245 10 - TITLE STATEMENT |
Title |
The Modernist Bestiary : Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
London |
Name of publisher, distributor, etc |
UCL Press |
Date of publication, distribution, etc |
2020 |
506 0# - RESTRICTIONS ON ACCESS NOTE |
Terms governing access |
Open Access |
Source of term |
star |
Standardized terminology for access restriction |
Unrestricted online access |
520 ## - SUMMARY, ETC. |
Summary, etc |
The Modernist Bestiary centres on Le Bestiaire ou Cortège d'Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors' encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.' - Martin Crowley, University of Cambridge |
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE |
Terms governing use and reproduction |
Creative Commons |
-- |
https://creativecommons.org/licenses/by/4.0/ |
-- |
cc |
-- |
https://creativecommons.org/licenses/by/4.0/ |
546 ## - LANGUAGE NOTE |
Language note |
English |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Literature: history & criticism |
Source of heading or term |
bicssc |
9 (RLIN) |
854476 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
History of art / art & design styles |
Source of heading or term |
bicssc |
9 (RLIN) |
912699 |
653 ## - INDEX TERM--UNCONTROLLED |
Uncontrolled term |
Comparative literature |
653 ## - INDEX TERM--UNCONTROLLED |
Uncontrolled term |
History of art |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Mathews, Timothy |
Relator code |
edt |
9 (RLIN) |
281961 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Kay, Sarah |
Relator code |
oth |
9 (RLIN) |
205761 |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Mathews, Timothy |
Relator code |
oth |
9 (RLIN) |
281961 |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Host name |
www.oapen.org |
Uniform Resource Identifier |
<a href="https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf">https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf</a> |
-- |
0 |
Public note |
OAPEN Library: download the publication |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Host name |
www.oapen.org |
Uniform Resource Identifier |
<a href="http://library.oapen.org/handle/20.500.12657/39433">http://library.oapen.org/handle/20.500.12657/39433</a> |
-- |
0 |
Public note |
OAPEN Library: description of the publication |