The Modernist Bestiary : Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland (Record no. 3045504)

MARC details
000 -LEADER
fixed length control field 03572naaaa2200325uu 4500
001 - CONTROL NUMBER
control field http://library.oapen.org/handle/20.500.12657/39433
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220714220418.0
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 111.9781787351516
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.14324/111.9781787351516
Terms of availability doi
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title English
042 ## - AUTHENTICATION CODE
Authentication code dc
072 #7 - SUBJECT CATEGORY CODE
Subject category code DS
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code AC
Source bicssc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Kay, Sarah
Relator code edt
9 (RLIN) 205761
245 10 - TITLE STATEMENT
Title The Modernist Bestiary : Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc London
Name of publisher, distributor, etc UCL Press
Date of publication, distribution, etc 2020
506 0# - RESTRICTIONS ON ACCESS NOTE
Terms governing access Open Access
Source of term star
Standardized terminology for access restriction Unrestricted online access
520 ## - SUMMARY, ETC.
Summary, etc The Modernist Bestiary centres on Le Bestiaire ou Cortège d'Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors' encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.' - Martin Crowley, University of Cambridge
540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE
Terms governing use and reproduction Creative Commons
-- https://creativecommons.org/licenses/by/4.0/
-- cc
-- https://creativecommons.org/licenses/by/4.0/
546 ## - LANGUAGE NOTE
Language note English
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Literature: history & criticism
Source of heading or term bicssc
9 (RLIN) 854476
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element History of art / art & design styles
Source of heading or term bicssc
9 (RLIN) 912699
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Comparative literature
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term History of art
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Mathews, Timothy
Relator code edt
9 (RLIN) 281961
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Kay, Sarah
Relator code oth
9 (RLIN) 205761
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Mathews, Timothy
Relator code oth
9 (RLIN) 281961
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf">https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf</a>
-- 0
Public note OAPEN Library: download the publication
856 40 - ELECTRONIC LOCATION AND ACCESS
Host name www.oapen.org
Uniform Resource Identifier <a href="http://library.oapen.org/handle/20.500.12657/39433">http://library.oapen.org/handle/20.500.12657/39433</a>
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Public note OAPEN Library: description of the publication
Holdings
Withdrawn status Lost status Damaged status Not for loan Collection code Home library Current library Date acquired Total Checkouts Date last seen Price effective from Koha item type
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