MARC details
| 000 -LEADER |
|---|
| fixed length control field |
12131cam a2200961Ii 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
ocn979798350 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20220712052159.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION |
|---|
| fixed length control field |
m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
|---|
| fixed length control field |
cr |n||||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
170407t20162016stka ob 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2017296107 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
YDX |
| Language of cataloging |
eng |
| Description conventions |
rda |
| -- |
pn |
| Transcribing agency |
YDX |
| Modifying agency |
JSTOR |
| -- |
OCLCF |
| -- |
N$T |
| -- |
YDX |
| -- |
EBLCP |
| -- |
WAU |
| -- |
IOG |
| -- |
SNK |
| -- |
DKU |
| -- |
AUW |
| -- |
IGB |
| -- |
D6H |
| -- |
VTS |
| -- |
AGLDB |
| -- |
G3B |
| -- |
S8J |
| -- |
S9I |
| -- |
UKMGB |
| -- |
STF |
| -- |
M8D |
| -- |
UKAHL |
| -- |
OCLCQ |
| -- |
OCLCO |
| -- |
OCLCQ |
| -- |
UX1 |
| -- |
CAMBR |
| -- |
K6U |
| -- |
OCLCO |
| 015 ## - NATIONAL BIBLIOGRAPHY NUMBER |
|---|
| National bibliography number |
GBB8K7511 |
| Source |
bnb |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
|---|
| Record control number |
019111327 |
| Source |
Uk |
| 019 ## - |
|---|
| -- |
983028595 |
| -- |
983237837 |
| -- |
1004255501 |
| -- |
1004531120 |
| -- |
1175621087 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781474403931 |
| Qualifying information |
(electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
147440393X |
| Qualifying information |
(electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781474403955 |
| Qualifying information |
(epub) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
1474403956 |
| Qualifying information |
(epub) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Cancelled/invalid ISBN |
9781474403948 |
| Qualifying information |
(paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Cancelled/invalid ISBN |
1474403948 |
| Qualifying information |
(paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Cancelled/invalid ISBN |
9781474403924 |
| Qualifying information |
(hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Cancelled/invalid ISBN |
1474403921 |
| Qualifying information |
(hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Cancelled/invalid ISBN |
9781474426756 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Cancelled/invalid ISBN |
1474426751 |
| 029 1# - (OCLC) |
|---|
| OCLC library identifier |
AU@ |
| System control number |
000062526275 |
| 029 1# - (OCLC) |
|---|
| OCLC library identifier |
UKMGB |
| System control number |
019111327 |
| 029 1# - (OCLC) |
|---|
| OCLC library identifier |
DKDLA |
| System control number |
820120-katalog:9910051859005765 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)979798350 |
| Canceled/invalid control number |
(OCoLC)983028595 |
| -- |
(OCoLC)983237837 |
| -- |
(OCoLC)1004255501 |
| -- |
(OCoLC)1004531120 |
| -- |
(OCoLC)1175621087 |
| 037 ## - SOURCE OF ACQUISITION |
|---|
| Stock number |
22573/ctt1f5h7bj |
| Source of stock number/acquisition |
JSTOR |
| 043 ## - GEOGRAPHIC AREA CODE |
|---|
| Geographic area code |
n-us--- |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN1993.5.U6 |
| Item number |
I53 2016eb |
| 072 #7 - SUBJECT CATEGORY CODE |
|---|
| Subject category code |
PER004040 |
| Source |
bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE |
|---|
| Subject category code |
PER004030 |
| Source |
bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE |
|---|
| Subject category code |
PER004000 |
| Source |
bisacsh |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.43073 |
| Edition number |
23 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
MAIN |
| 245 00 - TITLE STATEMENT |
|---|
| Title |
Indie reframed : |
| Remainder of title |
women's filmmaking and contemporary American independent cinema / |
| Statement of responsibility, etc |
edited by Linda Badley, Claire Perkins and Michele Schreiber. |
| 264 #1 - |
|---|
| -- |
Edinburgh : |
| -- |
Edinburgh University Press, |
| -- |
[2016] |
| 264 #4 - |
|---|
| -- |
©2016 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource (xiv, 329 pages) : |
| Other physical details |
illustrations |
| 336 ## - |
|---|
| -- |
text |
| -- |
txt |
| -- |
rdacontent |
| 337 ## - |
|---|
| -- |
computer |
| -- |
c |
| -- |
rdamedia |
| 338 ## - |
|---|
| -- |
online resource |
| -- |
cr |
| -- |
rdacarrier |
| 347 ## - |
|---|
| -- |
data file |
| -- |
rda |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Traditions in American cinema |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Miscellaneous information |
pt. I |
| Title |
PRODUCTION AND DISTRIBUTION CONTEXTS -- |
| Miscellaneous information |
1. |
| Title |
Women Make Movies: Chicken & Egg Pictures, Gamechanger Films and the Future of Female Independent Filmmaking / |
| Statement of responsibility |
Sarah E.S. Sinwell -- |
| Miscellaneous information |
2. |
| Title |
Killer Feminism / |
| Statement of responsibility |
Patricia White -- |
| Miscellaneous information |
3. |
| Title |
`A Woman with an Endgame': Megan Ellison, Annapurna Pictures and American Independent Film Production / |
| Statement of responsibility |
James Lyons -- |
| Miscellaneous information |
4. |
| Title |
Susan Seidelman's Contemporary Films: The Feminist Art of Self-reinvention in a Changing Technological Landscape / |
| Statement of responsibility |
Christina Lane -- |
| Miscellaneous information |
5. |
| Title |
`I'm Absolutely the Right Person for this Job': Allison Anders and Mary Harron on Lifetime Television / |
| Statement of responsibility |
Michele Schreiber -- |
| Miscellaneous information |
pt. II |
| Title |
GENRES AND MODALITIES -- |
| Miscellaneous information |
6. |
| Title |
Gender, Genre and More General Indie Dimensions in Megan Griffiths' The Off Hours and Eden / |
| Statement of responsibility |
Geoff King -- |
| Miscellaneous information |
7. |
| Title |
Down to the Bone: Neo-neorealism and Genre in Contemporary Women's Indies / |
| Statement of responsibility |
Linda Badley -- |
| Miscellaneous information |
8. |
| Title |
My Effortless Brilliance: Women's Mumblecore / |
| Statement of responsibility |
Claire Perkins -- |
| Miscellaneous information |
9. |
| Title |
Black Women, Romance and the Indiewood Rom Coms of Sanaa Hamri / |
| Statement of responsibility |
Shelley Cobb -- |
| Miscellaneous information |
pt. III |
| Title |
IDENTITIES -- |
| Miscellaneous information |
10. |
| Title |
From Documentary to Fictional Realism: Mira Nair's Documentary Roots, Fictional Home and Production Politics / |
| Statement of responsibility |
Kent A. Ono -- |
| Miscellaneous information |
11. |
| Title |
Having its Cake and Eating it Too: Contemporary American `Indie' Cinema and My Big Fat Greek Wedding Reframed / |
| Statement of responsibility |
Lydia Papadimitriou -- |
| Miscellaneous information |
12. |
| Title |
Not Just Indie: A Look at Films by Dee Rees, Ava DuVernay and Kasi Lemmons / |
| Statement of responsibility |
Cynthia Baron -- |
| Miscellaneous information |
13. |
| Title |
Sexual In-betweener/Industry In-betweener: The Career and Films of Lisa Cholodenko / |
| Statement of responsibility |
Maria San Filippo -- |
| Miscellaneous information |
14. |
| Title |
Miranda July and the New Twenty-first-century Indie / |
| Statement of responsibility |
Kathleen A. McHugh -- |
| Miscellaneous information |
pt. IV |
| Title |
COLLABORATIONS -- |
| Miscellaneous information |
15. |
| Title |
Mutual Muses in American Independent Film: Catherine Keener and Nicole Holofcener, Michelle Williams and Kelly Reichardt / |
| Statement of responsibility |
Chris Holmlund -- |
| Miscellaneous information |
16. |
| Title |
The Feminist Politics of Collaboration in Lena Dunham's Tiny Furniture / |
| Statement of responsibility |
Corinn Columpar -- |
| Miscellaneous information |
17. |
| Title |
The Director as Facilitator: Collaboration, Cooperation and the Gender Politics of the Set / |
| Statement of responsibility |
John Alberti -- |
| Miscellaneous information |
18. |
| Title |
Beyond the Screen: On Contemporary Feminist Media Re-articulations / |
| Statement of responsibility |
Patricia R. Zimmermann. |
| 588 0# - |
|---|
| -- |
Print version record. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
Explores the films, practitioners, production and distribution contexts that currently represent American women's independent cinemaWith the consolidation of ÃǾ²Ơ℗indie' culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women work across all aspects of writing, direction, production, editing and design, yet the dominant narrative continues to construe ÃǾ²Ơ℗₋maverick' white male auteurs such as Quentin Tarantino or Wes Anderson as the face of indie discourse. Defying the formulaic myths of the mainstream ÃǾ²Ơ℗₋chick flick' and the ideological and experimental radicalism of feminist counter-cinema alike, women's indie filmmaking is neither ironic, popular nor political enough to be readily absorbed into pre-existing categories. This ground-breaking collection, the first sustained examination of the work of female practitioners within American independent cinema, reclaims the ÃǾ²Ơ℗₋difference' of female indie filmmaking. Through a variety of case studies of directors, writers and producers such as Ava DuVernay, Lena Dunham and Christine Vachon, contributors explore the innovation of a range of female practitioners by attending to the sensibilities, ideologies and industrial practices that distinguish their work - while embracing the ÃǾ²Ơ℗₋in-between' space in which the narratives they represent and embody can be revealed. Key Features Covers American women's independent cinema since the late 1970s Analyses the work of acclaimed but critically overlooked female practitioners such as Kelly Reichardt, Christine Vachon, Miranda July, Kasi Lemmons, Nicole Holofcener, Mira Nair, Lisa Cholodenko, Megan Ellison, Lynn Shelton, Ava DuVernay, Mary Harron and Debra Granik Distinguishes four different approaches to analysing women's independent cinema through: production and industry perspectives; genre and other classificatory modalities; political, cultural, social and professional identities; and collaborative and collectivist practices Contributors John Alberti, Northern Kentucky University Linda Badley, Middle Tennessee State University Cynthia Baron, Bowling Green State University Shelley Cobb, University of Southampton Corinn Columpar, University of Toronto Chris Holmlund, University of Tennessee-Knoxville Geoff King, Brunel University, London Christina Lane, University of Miami James Lyons, University of Exeter Kathleen A. McHugh, UCLA Kent A. Ono, University of Utah Lydia Papadimitriou, Liverpool John Moores University Claudia Costa Pederson, Wichita State University Claire Perkins, Monash University Sarah Projansky, University of Utah Maria San Filippo, Goucher College Michele Schreiber, Emory University Sarah E.S. Sinwell, University of Utah Yannis Tzioumakis, University of Liverpool Patricia White, Swarthmore College Patricia R. Zimmermann, Ithaca College Explores the films, practitioners, production and distribution contexts that currently represent American women's independent cinemaWith the consolidation of ÃǾ²Ơ℗₋indie' culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women work across all aspects of writing, direction, production, editing and design, yet the dominant narrative continues to construe ÃǾ²Ơ℗₋maverick' white male auteurs such as Quentin Tarantino or Wes Anderson as the face of indie discourse. Defying the formulaic myths of the mainstream ÃǾ²Ơ℗₋chick flick' and the ideological and experimental radicalism of feminist counter-cinema alike, women's indie filmmaking is neither ironic, popular nor political enough to be readily absorbed into pre-existing categories. This ground-breaking collection, the first sustained examination of the work of female practitioners within American independent cinema, reclaims the ÃǾ²Ơ℗₋difference' of female indie filmmaking. Through a variety of case studies of directors, writers and producers such as Ava DuVernay, Lena Dunham and Christine Vachon, contributors explore the innovation of a range of female practitioners by attending to the sensibilities, ideologies and industrial practices that distinguish their work - while embracing the ÃǾ²Ơ℗₋in-between' space in which the narratives they represent and embody can be revealed. Key Features Covers American women's independent cinema since the late 1970s Analyses the work of acclaimed but critically overlooked female practitioners such as Kelly Reichardt, Christine Vachon, Miranda July, Kasi Lemmons, Nicole Holofcener, Mira Nair, Lisa Cholodenko, Megan Ellison, Lynn Shelton, Ava DuVernay, Mary Harron and Debra Granik Distinguishes four different approaches to analysing women's independent cinema through: production and industry perspectives; genre and other classificatory modalities; political, cultural, social and professional identities; and collaborative and collectivist practices Contributors John Alberti, Northern Kentucky University Linda Badley, Middle Tennessee State University Cynthia Baron, Bowling Green State University Shelley Cobb, University of Southampton Corinn Columpar, University of Toronto Chris Holmlund, University of Tennessee-Knoxville Geoff King, Brunel University, London Christina Lane, University of Miami James Lyons, University of Exeter Kathleen A. McHugh, UCLA Kent A. Ono, University of Utah Lydia Papadimitriou, Liverpool John Moores University Claudia Costa Pederson, Wichita State University Claire Perkins, Monash University Sarah Projansky, University of Utah Maria San Filippo, Goucher College Michele Schreiber, Emory University Sarah E.S. Sinwell, University of Utah Yannis Tzioumakis, University of Liverpool Patricia White, Swarthmore College Patricia R. Zimmermann, Ithaca College |
| 590 ## - LOCAL NOTE (RLIN) |
|---|
| Local note |
eBooks on EBSCOhost |
| Provenance (VM) [OBSOLETE] |
EBSCO eBook Subscription Academic Collection - Worldwide |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Independent films |
| Geographic subdivision |
United States |
| General subdivision |
History and criticism. |
| 9 (RLIN) |
216747 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Women motion picture producers and directors |
| Geographic subdivision |
United States. |
| 9 (RLIN) |
87303 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Motion picture industry |
| Geographic subdivision |
United States |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 9 (RLIN) |
87805 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Motion picture industry |
| Geographic subdivision |
United States |
| General subdivision |
History |
| Chronological subdivision |
21st century. |
| 9 (RLIN) |
1126163 |
| 650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Films indépendants |
| Geographic subdivision |
États-Unis |
| General subdivision |
Histoire et critique. |
| 9 (RLIN) |
877165 |
| 650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Productrices et réalisatrices de cinéma |
| Geographic subdivision |
États-Unis. |
| 9 (RLIN) |
1053051 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
PERFORMING ARTS |
| General subdivision |
Film & Video |
| -- |
Reference. |
| Source of heading or term |
bisacsh |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Independent films. |
| Source of heading or term |
fast |
| -- |
(OCoLC)fst01738681 |
| 9 (RLIN) |
295801 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Motion picture industry. |
| Source of heading or term |
fast |
| -- |
(OCoLC)fst01027150 |
| 9 (RLIN) |
26917 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Women motion picture producers and directors. |
| Source of heading or term |
fast |
| -- |
(OCoLC)fst01178163 |
| 9 (RLIN) |
337994 |
| 651 #7 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
United States. |
| Source of heading or term |
fast |
| -- |
(OCoLC)fst01204155 |
| 648 #7 - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM |
|---|
| Chronological term |
1900-2099 |
| Source of heading or term |
fast |
| 9 (RLIN) |
52653 |
| 655 #0 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Electronic books. |
| 655 #4 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Electronic books. |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Criticism, interpretation, etc. |
| Source of term |
fast |
| -- |
(OCoLC)fst01411635 |
| 655 #7 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
History. |
| Source of term |
fast |
| -- |
(OCoLC)fst01411628 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Badley, Linda, |
| Relator term |
editor. |
| 9 (RLIN) |
167746 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Perkins, Claire |
| Fuller form of name |
(Claire Elizabeth), |
| Relator term |
editor. |
| 9 (RLIN) |
925076 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Schreiber, Michele, |
| Relator term |
editor. |
| 9 (RLIN) |
1009745 |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
|---|
| Display text |
Print version: |
| Title |
Indie reframed. |
| Place, publisher, and date of publication |
Edinburgh : Edinburgh University Press, [2016] |
| International Standard Book Number |
9781474403948 |
| Record control number |
(OCoLC)962321354 |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Traditions in American cinema. |
| 9 (RLIN) |
1009748 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1584957">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1584957</a> |
| 938 ## - |
|---|
| -- |
Askews and Holts Library Services |
| -- |
ASKH |
| -- |
AH33867824 |
| 938 ## - |
|---|
| -- |
Askews and Holts Library Services |
| -- |
ASKH |
| -- |
AH33722303 |
| 938 ## - |
|---|
| -- |
ProQuest Ebook Central |
| -- |
EBLB |
| -- |
EBL5013796 |
| 938 ## - |
|---|
| -- |
EBSCOhost |
| -- |
EBSC |
| -- |
1584957 |
| 938 ## - |
|---|
| -- |
YBP Library Services |
| -- |
YANK |
| -- |
13833355 |
| 938 ## - |
|---|
| -- |
YBP Library Services |
| -- |
YANK |
| -- |
13954083 |
| 938 ## - |
|---|
| -- |
YBP Library Services |
| -- |
YANK |
| -- |
14789519 |
| 994 ## - |
|---|
| -- |
92 |
| -- |
INOPJ |
