MARC details
000 -LEADER |
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08144cam a2200625Ma 4500 |
001 - CONTROL NUMBER |
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ocn974239508 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20220712050818.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION |
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m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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160424s1990 xxu eo 000 0 eng d |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
LTP |
Language of cataloging |
eng |
Description conventions |
pn |
Transcribing agency |
LTP |
Modifying agency |
OCLCO |
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OCLCF |
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N$T |
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OCL |
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OCLCQ |
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IGB |
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AUW |
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BTN |
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MHW |
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INTCL |
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SNK |
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G3B |
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S8I |
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S8J |
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STF |
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D6H |
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EBLCP |
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OCLCQ |
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OCLCO |
019 ## - |
-- |
1158229293 |
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1191761188 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780271065175 |
Qualifying information |
(electronic bk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0271065176 |
Qualifying information |
(electronic bk.) |
028 42 - PUBLISHER NUMBER |
Publisher number |
MWT11628548 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)974239508 |
Canceled/invalid control number |
(OCoLC)1158229293 |
-- |
(OCoLC)1191761188 |
037 ## - SOURCE OF ACQUISITION |
Stock number |
11628548 |
Source of stock number/acquisition |
Midwest Tape, LLC |
Note |
http://www.midwesttapes.com |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
MT892 |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
MUS |
Subject category code subdivision |
042000 |
Source |
bisacsh |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
MUS |
Subject category code subdivision |
052000 |
Source |
bisacsh |
072 #7 - SUBJECT CATEGORY CODE |
Subject category code |
MUS |
Subject category code subdivision |
037110 |
Source |
bisacsh |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
782.1/07/1 |
Edition number |
19 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
MAIN |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Singher, Martial. |
9 (RLIN) |
1148347 |
245 13 - TITLE STATEMENT |
Title |
An interpretive guide to operatic arias : |
Remainder of title |
a handbook for singers, coaches, teachers, and students. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
[United States] : |
Name of publisher, distributor, etc |
Penn State University Press : |
-- |
Made available through hoopla, |
Date of publication, distribution, etc |
1990. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource |
336 ## - |
-- |
text |
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txt |
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rdacontent |
337 ## - |
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computer |
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c |
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rdamedia |
338 ## - |
-- |
online resource |
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cr |
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rdacarrier |
520 ## - SUMMARY, ETC. |
Summary, etc |
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias, selected for their popularity or their greatness, from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. "The most memorable thrills in an opera singer's life," according to the author's Introduction, "may easily derive from the great arias in his or her repertoire."This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and lessons, by drawing attention "not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate." For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric-with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions-French, German, Italian, Russian, and American-are represented, as are the major voice types-soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher's approach-based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories-is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed less than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Intro -- Title Page -- Copyright -- Contents -- Introduction -- Recommendations -- Beethoven -- Fidelio -- Abscheulicher, wo eilst du hin?: soprano -- Bellini -- Norma -- Casta Diva: soprano -- Bizet -- Carmen -- Habanera: mezzo-soprano -- Séguédille: mezzo-soprano -- Couplets of Escamillo: baritone -- La fleur que tu m'avais jetée: tenor -- Je dis que rien ne m'épouvante: soprano -- Air des cartes: mezzo-soprano -- Les Pêcheurs de Perles -- O Nadir, tendre ami -- Charpentier -- Depuis le jour -- Debussy -- Air de Lia -- Delibes -- Où va la jeune Indoue -- Donizetti -- Bella siccome un angelo |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Quel guardo il cavaliere -- L'Elisir d'amore -- Una furtiva lagrima -- Floyd -- Ain't it a pretty night -- Giordano -- Nemico della patria -- La mamma morta -- Come un bel dì di maggio -- Gluck -- Divinités du Styx -- Iphigénie en Tauride -- O toi, qui prolongeas mes jours -- Unis dès la plus tendre enfance -- Orfeo ed Euridice -- Che farò senza Euridice -- Gounod -- Avant de quitter ces lieux -- Le Veau d'Or -- Salut, demeure chaste et pure -- Le Roi de Thulé / Air des bijoux -- Mephisto's Serenade -- Roméo et Juliette -- Ballade de la Reine Mab -- Je veux vivre (Juliette's Waltz) |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Ah! Lève-toi, soleil (Cavatine) -- Que fais-tu, blanche tourterelle -- Leoncavallo -- Il Prologo -- Ballatella -- Recitar -- Mascagni -- Voi lo sapete, o mamma -- Massenet -- Pleurez, mes yeux -- Hérodiade -- Il est doux, il est bon -- Vision fugitive -- Manon -- Adieu, notre petite table -- En fermant les yeux -- Cours-la-reine / Gavotte -- Ah fuyez, douce image -- Thaïs -- O mon miroir fidèle -- Werther -- Air des lettres -- Va, laisse couler mes larmes -- Pourquoi me réveiller -- Menotti -- Papers, papers -- The Medium -- Monica's Waltz -- The Old Maid and the Thief -- Steal me, sweet thief |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Meyerbeer -- O paradis -- Mozart -- Smanie implacabili -- In uomini, in soldati -- Come scoglio -- Donne mie, la fate a tanti -- Don Giovanni -- Madamina -- Or sai chi l'onore -- Batti, batti -- Deh vieni alla finestra -- Il mio tesoro -- Mi tradì -- Die Entführung aus dem Serail -- Wer ein Liebchen hat gefunden -- O wie ängstlich -- Durch Zärtlichkeit und Schmeicheln -- Le Nozze di Figaro -- Se vuol ballare -- Non so più cosa son -- Voi, che sapete -- Vedrò mentr'io sospiro (Count's Aria) -- Dove sono i bei momenti -- Aprite un po'quegl'occhi -- Deh vieni, non tardar -- Die Zauberflöte |
505 8# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Dies Bildnis -- O zittre nicht -- Ach, ich fühl's -- Musorgski -- I have attained the power -- Nicolai -- Nun eilt herbei -- Offenbach -- Les oiseaux dans la charmille -- Scintille, diamant -- O Dieu, de quelle ivresse -- Elle a fui, la tourterelle -- Ponchielli -- Voce di donna -- Cielo e mar -- Puccini -- Che gelida manina -- Mi chiamano Mimí -- Quando m'en vo -- Donde lieta uscí -- Vecchia zimarra, senti -- Gianni Schicchi -- Oh! mio babbino caro -- Madama Butterfly -- Un bel dì vedremo -- Manon Lescaut -- Donna non vidi mai -- In quelle trine morbide -- Sola, perduta, abbandonata |
590 ## - LOCAL NOTE (RLIN) |
Local note |
eBooks on EBSCOhost |
Provenance (VM) [OBSOLETE] |
EBSCO eBook Subscription Academic Collection - Worldwide |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Singing |
General subdivision |
Interpretation (Phrasing, dynamics, etc.) |
9 (RLIN) |
334836 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Operas |
General subdivision |
Interpretation (Phrasing, dynamics, etc.) |
9 (RLIN) |
334837 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Operas |
General subdivision |
Performances. |
9 (RLIN) |
198371 |
650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Chant |
General subdivision |
Interprétation. |
9 (RLIN) |
1123452 |
650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Opéras |
General subdivision |
Interprétation. |
9 (RLIN) |
1081602 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
MUSIC |
General subdivision |
Instruction & Study |
-- |
Voice. |
Source of heading or term |
bisacsh |
9 (RLIN) |
79895 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
MUSIC |
General subdivision |
Lyrics. |
Source of heading or term |
bisacsh |
9 (RLIN) |
79896 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
MUSIC |
General subdivision |
Printed Music |
-- |
Vocal. |
Source of heading or term |
bisacsh |
9 (RLIN) |
79897 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Operas |
General subdivision |
Interpretation (Phrasing, dynamics, etc.) |
Source of heading or term |
fast |
-- |
(OCoLC)fst01046216 |
9 (RLIN) |
334837 |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Singing |
General subdivision |
Interpretation (Phrasing, dynamics, etc.) |
Source of heading or term |
fast |
-- |
(OCoLC)fst01119324 |
9 (RLIN) |
334836 |
655 #4 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic books. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
Display text |
Print version: |
Main entry heading |
Singher, Martial. |
Title |
An Interpretive Guide to Operatic Arias : A Handbook for Singers, Coaches, Teachers, and Students. |
Place, publisher, and date of publication |
University Park : Penn State University Press, ©2015 |
International Standard Book Number |
9780271003511 |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1798327">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1798327</a> |
938 ## - |
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ProQuest Ebook Central |
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EBLB |
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EBL6224673 |
938 ## - |
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EBSCOhost |
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EBSC |
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1798327 |
994 ## - |
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92 |
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INOPJ |