An interpretive guide to operatic arias : (Record no. 2812821)

MARC details
000 -LEADER
fixed length control field 08144cam a2200625Ma 4500
001 - CONTROL NUMBER
control field ocn974239508
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220712050818.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 160424s1990 xxu eo 000 0 eng d
040 ## - CATALOGING SOURCE
Original cataloging agency LTP
Language of cataloging eng
Description conventions pn
Transcribing agency LTP
Modifying agency OCLCO
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-- S8I
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-- EBLCP
-- OCLCQ
-- OCLCO
019 ## -
-- 1158229293
-- 1191761188
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780271065175
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0271065176
Qualifying information (electronic bk.)
028 42 - PUBLISHER NUMBER
Publisher number MWT11628548
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)974239508
Canceled/invalid control number (OCoLC)1158229293
-- (OCoLC)1191761188
037 ## - SOURCE OF ACQUISITION
Stock number 11628548
Source of stock number/acquisition Midwest Tape, LLC
Note http://www.midwesttapes.com
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number MT892
072 #7 - SUBJECT CATEGORY CODE
Subject category code MUS
Subject category code subdivision 042000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code MUS
Subject category code subdivision 052000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code MUS
Subject category code subdivision 037110
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 782.1/07/1
Edition number 19
049 ## - LOCAL HOLDINGS (OCLC)
Holding library MAIN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Singher, Martial.
9 (RLIN) 1148347
245 13 - TITLE STATEMENT
Title An interpretive guide to operatic arias :
Remainder of title a handbook for singers, coaches, teachers, and students.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc [United States] :
Name of publisher, distributor, etc Penn State University Press :
-- Made available through hoopla,
Date of publication, distribution, etc 1990.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource
336 ## -
-- text
-- txt
-- rdacontent
337 ## -
-- computer
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338 ## -
-- online resource
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520 ## - SUMMARY, ETC.
Summary, etc A premier singer and master teacher here tells other singers how to get the most from 151 famous arias, selected for their popularity or their greatness, from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. "The most memorable thrills in an opera singer's life," according to the author's Introduction, "may easily derive from the great arias in his or her repertoire."This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and lessons, by drawing attention "not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate." For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric-with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions-French, German, Italian, Russian, and American-are represented, as are the major voice types-soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher's approach-based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories-is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed less than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Intro -- Title Page -- Copyright -- Contents -- Introduction -- Recommendations -- Beethoven -- Fidelio -- Abscheulicher, wo eilst du hin?: soprano -- Bellini -- Norma -- Casta Diva: soprano -- Bizet -- Carmen -- Habanera: mezzo-soprano -- Séguédille: mezzo-soprano -- Couplets of Escamillo: baritone -- La fleur que tu m'avais jetée: tenor -- Je dis que rien ne m'épouvante: soprano -- Air des cartes: mezzo-soprano -- Les Pêcheurs de Perles -- O Nadir, tendre ami -- Charpentier -- Depuis le jour -- Debussy -- Air de Lia -- Delibes -- Où va la jeune Indoue -- Donizetti -- Bella siccome un angelo
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Quel guardo il cavaliere -- L'Elisir d'amore -- Una furtiva lagrima -- Floyd -- Ain't it a pretty night -- Giordano -- Nemico della patria -- La mamma morta -- Come un bel dì di maggio -- Gluck -- Divinités du Styx -- Iphigénie en Tauride -- O toi, qui prolongeas mes jours -- Unis dès la plus tendre enfance -- Orfeo ed Euridice -- Che farò senza Euridice -- Gounod -- Avant de quitter ces lieux -- Le Veau d'Or -- Salut, demeure chaste et pure -- Le Roi de Thulé / Air des bijoux -- Mephisto's Serenade -- Roméo et Juliette -- Ballade de la Reine Mab -- Je veux vivre (Juliette's Waltz)
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Ah! Lève-toi, soleil (Cavatine) -- Que fais-tu, blanche tourterelle -- Leoncavallo -- Il Prologo -- Ballatella -- Recitar -- Mascagni -- Voi lo sapete, o mamma -- Massenet -- Pleurez, mes yeux -- Hérodiade -- Il est doux, il est bon -- Vision fugitive -- Manon -- Adieu, notre petite table -- En fermant les yeux -- Cours-la-reine / Gavotte -- Ah fuyez, douce image -- Thaïs -- O mon miroir fidèle -- Werther -- Air des lettres -- Va, laisse couler mes larmes -- Pourquoi me réveiller -- Menotti -- Papers, papers -- The Medium -- Monica's Waltz -- The Old Maid and the Thief -- Steal me, sweet thief
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Meyerbeer -- O paradis -- Mozart -- Smanie implacabili -- In uomini, in soldati -- Come scoglio -- Donne mie, la fate a tanti -- Don Giovanni -- Madamina -- Or sai chi l'onore -- Batti, batti -- Deh vieni alla finestra -- Il mio tesoro -- Mi tradì -- Die Entführung aus dem Serail -- Wer ein Liebchen hat gefunden -- O wie ängstlich -- Durch Zärtlichkeit und Schmeicheln -- Le Nozze di Figaro -- Se vuol ballare -- Non so più cosa son -- Voi, che sapete -- Vedrò mentr'io sospiro (Count's Aria) -- Dove sono i bei momenti -- Aprite un po'quegl'occhi -- Deh vieni, non tardar -- Die Zauberflöte
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Dies Bildnis -- O zittre nicht -- Ach, ich fühl's -- Musorgski -- I have attained the power -- Nicolai -- Nun eilt herbei -- Offenbach -- Les oiseaux dans la charmille -- Scintille, diamant -- O Dieu, de quelle ivresse -- Elle a fui, la tourterelle -- Ponchielli -- Voce di donna -- Cielo e mar -- Puccini -- Che gelida manina -- Mi chiamano Mimí -- Quando m'en vo -- Donde lieta uscí -- Vecchia zimarra, senti -- Gianni Schicchi -- Oh! mio babbino caro -- Madama Butterfly -- Un bel dì vedremo -- Manon Lescaut -- Donna non vidi mai -- In quelle trine morbide -- Sola, perduta, abbandonata
590 ## - LOCAL NOTE (RLIN)
Local note eBooks on EBSCOhost
Provenance (VM) [OBSOLETE] EBSCO eBook Subscription Academic Collection - Worldwide
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Singing
General subdivision Interpretation (Phrasing, dynamics, etc.)
9 (RLIN) 334836
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Operas
General subdivision Interpretation (Phrasing, dynamics, etc.)
9 (RLIN) 334837
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Operas
General subdivision Performances.
9 (RLIN) 198371
650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Chant
General subdivision Interprétation.
9 (RLIN) 1123452
650 #6 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Opéras
General subdivision Interprétation.
9 (RLIN) 1081602
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element MUSIC
General subdivision Instruction & Study
-- Voice.
Source of heading or term bisacsh
9 (RLIN) 79895
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element MUSIC
General subdivision Lyrics.
Source of heading or term bisacsh
9 (RLIN) 79896
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element MUSIC
General subdivision Printed Music
-- Vocal.
Source of heading or term bisacsh
9 (RLIN) 79897
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Operas
General subdivision Interpretation (Phrasing, dynamics, etc.)
Source of heading or term fast
-- (OCoLC)fst01046216
9 (RLIN) 334837
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Singing
General subdivision Interpretation (Phrasing, dynamics, etc.)
Source of heading or term fast
-- (OCoLC)fst01119324
9 (RLIN) 334836
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Print version:
Main entry heading Singher, Martial.
Title An Interpretive Guide to Operatic Arias : A Handbook for Singers, Coaches, Teachers, and Students.
Place, publisher, and date of publication University Park : Penn State University Press, ©2015
International Standard Book Number 9780271003511
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1798327">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1798327</a>
938 ## -
-- ProQuest Ebook Central
-- EBLB
-- EBL6224673
938 ## -
-- EBSCOhost
-- EBSC
-- 1798327
994 ## -
-- 92
-- INOPJ
Holdings
Withdrawn status Lost status Damaged status Not for loan Collection code Home library Current library Date acquired Total Checkouts Date last seen Price effective from Koha item type
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