Materialized Identities in Early Modern Culture, 1450-1750 Objects, Affects, Effects
Burghartz, Susanna
Materialized Identities in Early Modern Culture, 1450-1750 Objects, Affects, Effects - Amsterdam University Press 2021 - 1 electronic resource (419 p.) - Visual and Material Culture, 1300-1700 .
Open Access
"This collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself. To achieve this goal, the authors approach ""the material"" through four themes - glass, feathers, gold paints, and veils - in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period."
Creative Commons
English
9789463728959 9789463728959
10.5117/9789463728959 doi
Early modern history: c 1450/1500 to c 1700
History of art & design styles: c 1400 to c 1600
materiality; early modern Europe; affects; artisanal Ingenuity; identity
Materialized Identities in Early Modern Culture, 1450-1750 Objects, Affects, Effects - Amsterdam University Press 2021 - 1 electronic resource (419 p.) - Visual and Material Culture, 1300-1700 .
Open Access
"This collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself. To achieve this goal, the authors approach ""the material"" through four themes - glass, feathers, gold paints, and veils - in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period."
Creative Commons
English
9789463728959 9789463728959
10.5117/9789463728959 doi
Early modern history: c 1450/1500 to c 1700
History of art & design styles: c 1400 to c 1600
materiality; early modern Europe; affects; artisanal Ingenuity; identity