The sitcom /
Mills, Brett,
The sitcom / Brett Mills. - Edinburgh : Edinburgh University Press, ©2009. - 1 online resource (vi, 182 pages) - TV genres . - TV genres. .
Includes bibliographical references (pages 151-171) and index.
1. Introduction -- 2. Genre -- 3. Industry -- 4. Programmes -- 5. Audiences -- 6. The future.
Use copy
Even though sitcom has been a consistent staple of broadcasting the world over, rigorous academic work on it as a genre remains limited. This book examines sitcom as an industry in terms of production, audiences and texts, drawing on a range of examples and case studies in order to examine the genre's characteristics, social position, and pleasures. In highlighting this long-lasting and popular form of television, it offers insights into genre theory and explores how the comic aim of sitcom forms a central characteristic of the genre. Brett Mills takes a global view of sitcom, examining international examples as well as those produced by the more dominant British and American broadcasting industries, in order to explore the relationships between sitcom, nation, and identity. Sitcoms considered include Extras, My Family, Curb Your Enthusiasm, One Foot in the Grave, Peep Show, Summer Heights High, Popetown, and Friends. Key Features Draws on original research into the television industry, incorporating interviews with sitcom writers, directors and producers Includes research on audience responses to sitcom, with reference to offence, pleasure, and social change Offers detailed textual analyses of a range of programmes, drawing on Humour Theory to explore the ways in which jokes and comic moments work Outlines the future for sitcom, considering new media developments and the changing relationships between broadcasters and audiences
Electronic reproduction.
[Place of publication not identified] :
HathiTrust Digital Library,
2011.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
http://purl.oclc.org/DLF/benchrepro0212
English.
9780748637539 (electronic bk.) 0748637532 (electronic bk.) (hbk.) (hbk.) (pbk.) (pbk.) 0748671226 9780748671229 1282620320 9781282620322 9786612620324 6612620323
22573/cttk0d0r JSTOR
GBA967309 bnb
015307700 Uk
Geschichte.
Geschichte
Situation comedies (Television programs)--History and criticism.
Comédies de situation--Histoire et critique.
PERFORMING ARTS--Television--Reference.
ART--Popular Culture.
Situation comedies (Television programs)
Fernsehsendung
Situationskomödie
Situationskomödie.
Fernsehen.
Filmgenre.
Television programs--History and criticism.
Situation comedies.
Komediserier i tv.
Großbritannien
Situation comedies (Television programs) History and criticism
Electronic books.
Electronic books.
Criticism, interpretation, etc.
PN1992.8.C66 / M45 2009eb
791.45617
The sitcom / Brett Mills. - Edinburgh : Edinburgh University Press, ©2009. - 1 online resource (vi, 182 pages) - TV genres . - TV genres. .
Includes bibliographical references (pages 151-171) and index.
1. Introduction -- 2. Genre -- 3. Industry -- 4. Programmes -- 5. Audiences -- 6. The future.
Use copy
Even though sitcom has been a consistent staple of broadcasting the world over, rigorous academic work on it as a genre remains limited. This book examines sitcom as an industry in terms of production, audiences and texts, drawing on a range of examples and case studies in order to examine the genre's characteristics, social position, and pleasures. In highlighting this long-lasting and popular form of television, it offers insights into genre theory and explores how the comic aim of sitcom forms a central characteristic of the genre. Brett Mills takes a global view of sitcom, examining international examples as well as those produced by the more dominant British and American broadcasting industries, in order to explore the relationships between sitcom, nation, and identity. Sitcoms considered include Extras, My Family, Curb Your Enthusiasm, One Foot in the Grave, Peep Show, Summer Heights High, Popetown, and Friends. Key Features Draws on original research into the television industry, incorporating interviews with sitcom writers, directors and producers Includes research on audience responses to sitcom, with reference to offence, pleasure, and social change Offers detailed textual analyses of a range of programmes, drawing on Humour Theory to explore the ways in which jokes and comic moments work Outlines the future for sitcom, considering new media developments and the changing relationships between broadcasters and audiences
Electronic reproduction.
[Place of publication not identified] :
HathiTrust Digital Library,
2011.
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
http://purl.oclc.org/DLF/benchrepro0212
English.
9780748637539 (electronic bk.) 0748637532 (electronic bk.) (hbk.) (hbk.) (pbk.) (pbk.) 0748671226 9780748671229 1282620320 9781282620322 9786612620324 6612620323
22573/cttk0d0r JSTOR
GBA967309 bnb
015307700 Uk
Geschichte.
Geschichte
Situation comedies (Television programs)--History and criticism.
Comédies de situation--Histoire et critique.
PERFORMING ARTS--Television--Reference.
ART--Popular Culture.
Situation comedies (Television programs)
Fernsehsendung
Situationskomödie
Situationskomödie.
Fernsehen.
Filmgenre.
Television programs--History and criticism.
Situation comedies.
Komediserier i tv.
Großbritannien
Situation comedies (Television programs) History and criticism
Electronic books.
Electronic books.
Criticism, interpretation, etc.
PN1992.8.C66 / M45 2009eb
791.45617