Sound tracks : popular music, identity, and place /

Connell, John, 1946-

Sound tracks : popular music, identity, and place / John Connell and Chris Gibson. - London ; New York : Routledge, 2003. - 1 online resource (xii, 320 pages) : illustrations - Critical geographies ; 17 . - Critical geographies ; 17. .

Includes bibliographical references (pages 282-306) and index.

Into the music -- Music and place : 'fixing authenticity' -- Music and movement : overcoming space -- The place of lyrics -- Sounds and scenes : a place for music? -- Music communities : national identity, ethnicity, and place -- New worlds : music from the margins? -- A world of flows : music, mobility, and transnational soundscapes -- Aural architecture : the spaces of music -- Marketing place : music and tourism -- Terra Digitalia? : music, copyright, and territory in the information age -- The long and winding road--

"Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts." "Sound Tracks traces the ways in which music has informed complex globalisations, the role of companies and technology in diffusion, innovation and commercialism and the wider significance of cultural industries. It links migration and mobility to new musical practices, whether in 'developing' countries of metropolitan centres, and traces the recent rise of 'music tourism'. It examines issues of authenticity and credibility, and the quest for roots within different musical genres, from buskers to brass bands, and from rap to rai. Sound Tracks emphasises music's contributions to the contradictions, illusions and celebrations of contemporary life. It situates music and the music industry within spatial theories of globalisation and local change: fixity and fluidity entangled." "In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, through claims to tradition, 'authenticity' and originality, and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought."--Jacket.


English.

0415170273 9780415170277 0415170281 (pbk. ; alk. paper) 9780415170284 (pbk. ; alk. paper) 0203448391 (electronic bk.) 9780203448397 (electronic bk.) 9781134699131 (e-book: PDF) 1134699131 9781134699087 (e-book: Mobi) 1134699085 9781134699124 (e-book: ePub) 1134699123 0203269292 9780203269299 1280106425 9781280106422

10.4324/9780203448397 doi

MYILIB_CUp

2002068163

GBA2Z7436 bnb GBA2-Z7436


Popular music--Social aspects.
Music and geography.
Globalization--Social aspects.
Musique populaire--Aspect social.
Musique et géographie.
Mondialisation--Aspect social.
MUSIC--Genres & Styles--International.
MUSIC--Genres & Styles--Pop Vocal.
MUSIC--Genres & Styles--New Age.
Globalization--Social aspects.
Music and geography.
Popular music--Social aspects.
Popmuziek.
Sociale identiteit.
Geografische aspecten.
Culturele aspecten.


Electronic books.
Electronic books.
Electronic books.

ML3918.P67 / C66 2003

781.63/09

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