Authorship and Greek song : authority, authenticity, and performance /

Authorship and Greek song : authority, authenticity, and performance / edited by Egbert J. Bakker. - 1 online resource (x, 295 pages) : color illustrations. - Mnemosyne Supplements. Monographs on Greek and Latin Language and Literature, volume 402 0169-8958 ; Studies in Archaic and Classical Greek Song ; vol. 3 . - Mnemosyne, bibliotheca classica Batava. Supplementum. Monographs on Greek and Roman language and literature ; v. 402. Studies in archaic and classical Greek song ; v. 3. .

Selected papers presented at a conference entitled "Authorship, Authority, and Authenticity in Archaic and Classical Greek Song," which was held June 6-9, 2011 at Yale University, organized by the Network for the Study of Archaic and Classical Greek Song

Includes bibliographical references and index.

Introduction / Egbert J. Bakker -- The construction of authority in Pindar's Isthmian 2 in performance / Eva Stehle -- Voice and worship / Christopher Carey -- Crooked competition: the performance and poetics of Skolia / Richard P. Martin -- Placing the poet: the topography of authorship / Nicholas Boterf -- Trust and fame: the seal of Theognis / Egbert J. Bakker -- Authenticity and autochthonous traditions in Archaic and Hellenistic lyric poetry / Jacqueline Klooster -- Embedded song and poetic authority in Pindar and Bacchylides / Sarah J. Harden -- Narratorial authority and its subversion in Archilochus / Laura Swift -- The invention of Stesichorus : Hesiod, Helen, and the muse / Jesús Carruesco -- On the antagonism between divine and human performer in Archaic Greek poetics / Vayos Liapis -- "Newly written buds:" Archaic and Classical pseudepigrapha in Meleager's Garland / Irene Peirano Garrison -- Sappho or Alcaeus: authors and genres of Archaic hymns / Leanna Boychenko -- Which Sappho? The case study of the Cologne Papyrus / Elisabetta Pitotto and Amedeo A. Raschieri.

Authorship and Greek Song is a collection of papers dealing with various aspects of authorship in the song culture of Ancient Greece. In this cultural context the idea of the poet as author of his poems is complicated by the fact that poetry in archaic Greece circulated as songs performed for a variety of audiences, both local and "global" (Panhellenic). The volume's chapters discuss questions about the importance of the singers/performers; the nature of the performance occasion; the status of the poet; the authority of the poet/author and/or that of the performer; and the issues of authenticity arising when poems are composed under a given poet's name. The volume offers discussions of major authors such as Pindar, Sappho, and Theognis.

9789004339705 electronic book 9004339701 electronic book hardcover alkaline paper hardcover alkaline paper

10.1163/9789004339705

994347 MIL

2016058066


To 1500


Greek poetry--History and criticism--Congresses.
Greek poetry--Authorship--Congresses.
Oral interpretation of poetry--History--To 1500--Congresses.
Oral tradition--Greece--Congresses.
Poésie grecque--Histoire et critique--Congrès.
Tradition orale--Grèce--Congrès.
POETRY--Ancient & Classical.
LITERARY CRITICISM--Ancient & Classical.
Greek poetry.
Oral interpretation of poetry.
Oral tradition.


Greece.


Electronic books.
Conference papers and proceedings.
Criticism, interpretation, etc.
History.

PA3095 / .A98 2017

881/.0109

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