Decolonizing the landscape : indigenous cultures in Australia /
Decolonizing the landscape : indigenous cultures in Australia /
edited by Beate Neumeier and Kay Schaffer.
- 1 online resource (xix, 296 pages) : 5 illustrations
- Cross/cultures, 173 0924-1426 ; .
- Cross/cultures ; 173. .
Includes bibliographical references.
Cover -- Title Page -- Copyright Page -- Table of Contents -- List of Illustrations -- Introduction -- Sharing Across Boundaries -- From Drill to Dance -- The Great Tradition: Translating Durrudiya's Songs -- Aboriginal Families, Knowledge, and the Archives: A Case Study -- Decolonizing Methodology in an Arnhem Land Garden -- The 'Cultural Design' of Western Desert Art -- Ethical and Other Encounters -- Modernism, Antipòdernism, and Australian Aboriginality -- Material Resonance: Knowing Before Meaning -- Waiting at the Border: White Filmmaking on the Ground of Aboriginal Sovereignty -- Wounded Spaces/Geographies of Connectivity: Stephen Muecke's No Road (bitumen all the way), Margaret Somerville's Body/Landscape Journals, and Katrina Schlunke's Bluff Rock: Autobiography of a Massacre -- Recovering the Past: Entangled Histories in Kim Scott's That Deadman Dance -- Reading Transformations -- The Geopolitical Underground: Alexis Wright's Carpentaria, Mining, and the Sacred -- Identity and the Re-Assertion of Aboriginal Knowledge in Sam Watson's The Kadaitcha Sung -- Gallows Humour and Stereotyping in the Nyungar Writer Alf Taylor's Short Fiction: A White Cross-Racial Reading -- "And in my dreaming I can let go of the spirits of the past": Gothicizing the Common Law in Richard Frankland's No Way to Forget -- Performative Lives -- Transformative Practices: Wesley Enoch and Deborah Mailman, The 7 Stages of Grieving, and Richard Frankland, Conversations with the Dead -- Notes on Contributors.
How does one read across cultural boundaries? The multitude of creative texts, performance practices, and artworks produced by Indigenous writers and artists in contemporary Australia calls upon Anglo-European academic readers, viewers, and critics to respond to this critical question. Contributors address a plethora of creative works by Indigenous writers, poets, playwrights, filmmakers, and painters, including Richard Frankland, Lionel Fogarty, Lin Onus, Kim Scott, Sam Watson, and Alexis Wright, as well as Durrudiya song cycles and works by Western Desert artists. The complexity of these crea.
English.
9789401210423 (electronic bk.) 940121042X (electronic bk.) 1306454832 (ebk) 9781306454834 (ebk)
10.1163/9789401210423. doi
576734 MIL
Aboriginal Australians--Australia.
Aboriginal Australians--Civilization.
Aboriginal Australians--Social life and customs.
Arts, Aboriginal Australian.
Australiens (Aborigènes)--Civilisation.
Australiens (Aborigènes)--Mœurs et coutumes.
SOCIAL SCIENCE--Discrimination & Race Relations.
SOCIAL SCIENCE--Minority Studies.
Aboriginal Australians.
Aboriginal Australians--Social life and customs.
Arts, Aboriginal Australian.
Australia.
Electronic books.
DU124.S64
305.89915
Includes bibliographical references.
Cover -- Title Page -- Copyright Page -- Table of Contents -- List of Illustrations -- Introduction -- Sharing Across Boundaries -- From Drill to Dance -- The Great Tradition: Translating Durrudiya's Songs -- Aboriginal Families, Knowledge, and the Archives: A Case Study -- Decolonizing Methodology in an Arnhem Land Garden -- The 'Cultural Design' of Western Desert Art -- Ethical and Other Encounters -- Modernism, Antipòdernism, and Australian Aboriginality -- Material Resonance: Knowing Before Meaning -- Waiting at the Border: White Filmmaking on the Ground of Aboriginal Sovereignty -- Wounded Spaces/Geographies of Connectivity: Stephen Muecke's No Road (bitumen all the way), Margaret Somerville's Body/Landscape Journals, and Katrina Schlunke's Bluff Rock: Autobiography of a Massacre -- Recovering the Past: Entangled Histories in Kim Scott's That Deadman Dance -- Reading Transformations -- The Geopolitical Underground: Alexis Wright's Carpentaria, Mining, and the Sacred -- Identity and the Re-Assertion of Aboriginal Knowledge in Sam Watson's The Kadaitcha Sung -- Gallows Humour and Stereotyping in the Nyungar Writer Alf Taylor's Short Fiction: A White Cross-Racial Reading -- "And in my dreaming I can let go of the spirits of the past": Gothicizing the Common Law in Richard Frankland's No Way to Forget -- Performative Lives -- Transformative Practices: Wesley Enoch and Deborah Mailman, The 7 Stages of Grieving, and Richard Frankland, Conversations with the Dead -- Notes on Contributors.
How does one read across cultural boundaries? The multitude of creative texts, performance practices, and artworks produced by Indigenous writers and artists in contemporary Australia calls upon Anglo-European academic readers, viewers, and critics to respond to this critical question. Contributors address a plethora of creative works by Indigenous writers, poets, playwrights, filmmakers, and painters, including Richard Frankland, Lionel Fogarty, Lin Onus, Kim Scott, Sam Watson, and Alexis Wright, as well as Durrudiya song cycles and works by Western Desert artists. The complexity of these crea.
English.
9789401210423 (electronic bk.) 940121042X (electronic bk.) 1306454832 (ebk) 9781306454834 (ebk)
10.1163/9789401210423. doi
576734 MIL
Aboriginal Australians--Australia.
Aboriginal Australians--Civilization.
Aboriginal Australians--Social life and customs.
Arts, Aboriginal Australian.
Australiens (Aborigènes)--Civilisation.
Australiens (Aborigènes)--Mœurs et coutumes.
SOCIAL SCIENCE--Discrimination & Race Relations.
SOCIAL SCIENCE--Minority Studies.
Aboriginal Australians.
Aboriginal Australians--Social life and customs.
Arts, Aboriginal Australian.
Australia.
Electronic books.
DU124.S64
305.89915