Crossing traditions : American popular music in local and global contexts /
Crossing traditions : American popular music in local and global contexts /
edited by Babacar M'Baye, Alexander Charles Oliver Hall.
- Lanham : The Scarecrow Press, Inc., 2013.
- 1 online resource ([164] pages)
Includes bibliographical references and index.
American popular music in local contexts. Blue Maxwell : race, space, and the battle for the Chicago blues / The camouflaged celebration of irregular romance in early rock 'n' roll : "robbin the cradle" in the '50s, '60s, '70s, and '80s / Resistance stance against commodification : bad religion and the punk rock protest music they make / Who "owns" rap? : a justification for white Christian rap / "A horrible force called music" : Frank Zappa's Joe's garage as critical dystopia / American popular music in global contexts. In search of Mahalia Jackson and Aminata Fall : a comparative study of Senegalese and African American blues / Recolonizing the blues : the paradox of the British invasion of American popular music / Samples of the past : performative nostalgia, illicit sounds, and cultural transformation in Latin house music / Bhangra-Beat and Hip-hop : hyphenated musical cultures, hybridized music / John Robert Terry. Paul L. Gaston. Sarah L. DeLury. Randi Pahlau. Alexander Charles Oliver Hall -- Babacar M'Baye. Andrea Caroso. Susanna Loza. Melissa Ursula Dawn Goldsmith and Anthony J. Fonseca. Part 1. 1. 2. 3. 4. 5. Part 2. 6. 7. 8. 9.
In Crossing Traditions: American Popular Music in Local and Global Contexts, a wide range of scholarly contributions on the local and global significance of American popular music examines the connections between selected American blues, rock and roll, and hip-hop music and their equivalents from Senegal, Nigeria, England, India, and Mexico. Contributors show how American popular music promotes local and global awareness of such key issues as economic inequality and social marginalization while inspiring cross-cultural and interethnic influences among regional and transnational communities.--Publisher's website.
English.
9780810888289 (electronic bk.) 0810888289 (electronic bk.) 9781299734852 1299734855
504736 MIL
Popular music--History and criticism.--United States
Music and globalization--United States.
Musique populaire--Histoire et critique.--États-Unis
Musique et mondialisation--États-Unis.
MUSIC--Genres & Styles--Pop Vocal.
Music and globalization.
Popular music.
United States.
Electronic books.
Criticism, interpretation, etc.
ML3477 / .C78 2013eb
781.640973
Includes bibliographical references and index.
American popular music in local contexts. Blue Maxwell : race, space, and the battle for the Chicago blues / The camouflaged celebration of irregular romance in early rock 'n' roll : "robbin the cradle" in the '50s, '60s, '70s, and '80s / Resistance stance against commodification : bad religion and the punk rock protest music they make / Who "owns" rap? : a justification for white Christian rap / "A horrible force called music" : Frank Zappa's Joe's garage as critical dystopia / American popular music in global contexts. In search of Mahalia Jackson and Aminata Fall : a comparative study of Senegalese and African American blues / Recolonizing the blues : the paradox of the British invasion of American popular music / Samples of the past : performative nostalgia, illicit sounds, and cultural transformation in Latin house music / Bhangra-Beat and Hip-hop : hyphenated musical cultures, hybridized music / John Robert Terry. Paul L. Gaston. Sarah L. DeLury. Randi Pahlau. Alexander Charles Oliver Hall -- Babacar M'Baye. Andrea Caroso. Susanna Loza. Melissa Ursula Dawn Goldsmith and Anthony J. Fonseca. Part 1. 1. 2. 3. 4. 5. Part 2. 6. 7. 8. 9.
In Crossing Traditions: American Popular Music in Local and Global Contexts, a wide range of scholarly contributions on the local and global significance of American popular music examines the connections between selected American blues, rock and roll, and hip-hop music and their equivalents from Senegal, Nigeria, England, India, and Mexico. Contributors show how American popular music promotes local and global awareness of such key issues as economic inequality and social marginalization while inspiring cross-cultural and interethnic influences among regional and transnational communities.--Publisher's website.
English.
9780810888289 (electronic bk.) 0810888289 (electronic bk.) 9781299734852 1299734855
504736 MIL
Popular music--History and criticism.--United States
Music and globalization--United States.
Musique populaire--Histoire et critique.--États-Unis
Musique et mondialisation--États-Unis.
MUSIC--Genres & Styles--Pop Vocal.
Music and globalization.
Popular music.
United States.
Electronic books.
Criticism, interpretation, etc.
ML3477 / .C78 2013eb
781.640973