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Re-use : the art and politics of integration and anxiety / edited by Julia A.B. Hegewald, Subrata K. Mitra.

Contributor(s): Material type: TextTextPublication details: New Delhi : SAGE India, 2012.Description: 1 online resource (403 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9788132109815
  • 8132109813
  • 1280667494
  • 9781280667497
Subject(s): Genre/Form: Additional physical formats: Print version:: Re-use--The Art and Politics of Integration and Anxiety : The Art and Politics of Integration and Anxiety.DDC classification:
  • 954
LOC classification:
  • N5311 .H384 2012
Online resources:
Contents:
Cover; Contents; List of Plates; Preface; 1 -- Art and Politics: The Dialectics of Duality, Affinity and Confluence; 2 -- Towards a Theory of Re-use: Ruin, Retro and Fake Versus Improvement, Innovation and Integration; 3 -- The Past in the Present: Temple Conversions in Karnataka and Appropriation and Re-use in Orissa; 4 -- Chola and Neo-chola Temple Architecture in and around Kumbakonam, Tamil Nadu; 5 -- Indian Jewellery and Nineteenth-century Britain: Evolving Patterns of Re-use; 6 -- Re-use in the Yakshagana Theatre of Coastal Karnataka.
7 -- Indian Painting at the Beginning of the Twentieth Century: Modernism and Re-use of Ancient Pictorial Traditions8 -- Politics of Art and the Art of Politics: Re-use of 'Tribal' Arts and Artefacts in Modern Orissa; 9 -- Another Form of Re-use?: Institutional Continuity and 'Indigenisation' of Westminster Parliamentarianism and Western Party Politics in Post-colonial India; 10 -- Myth, Idea, Dream and Vision: Nehru's Discovery of India; 11 -- Use and Re-use of 'Pakistan' in the Indian Muslim Press(1932-47).
12 -- Buddhism and Collective Emancipation in Modern India: B.R. Ambedkar's Re-use of the Buddha's Dharma in the Dalit Movement13 -- 'The Jain Way of Life': Modern Re-use and Reinterpretation of Ancient Jain Concepts; 14 -- Icons, Nations and Re-use: Marianne, France and Bharat Mata, India; Glossary; About the Editors and Contributors; Index.
Summary: Presented here is a novel approach to understanding the relationship between the past and the present using the unique concept of re-use, wherein elements from the past are strategically adapted into the present, and thus become part of a new modernity. The book uses this method as a heuristic tool for analysing and interpreting cultural and political changes and the transnational flow of ideas, concepts and objects. The chapters apply this concept to South Asia but the concept of re-use and the method of its application are both general and amenable to cross-cultural and comparative analysis.
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Cover; Contents; List of Plates; Preface; 1 -- Art and Politics: The Dialectics of Duality, Affinity and Confluence; 2 -- Towards a Theory of Re-use: Ruin, Retro and Fake Versus Improvement, Innovation and Integration; 3 -- The Past in the Present: Temple Conversions in Karnataka and Appropriation and Re-use in Orissa; 4 -- Chola and Neo-chola Temple Architecture in and around Kumbakonam, Tamil Nadu; 5 -- Indian Jewellery and Nineteenth-century Britain: Evolving Patterns of Re-use; 6 -- Re-use in the Yakshagana Theatre of Coastal Karnataka.

7 -- Indian Painting at the Beginning of the Twentieth Century: Modernism and Re-use of Ancient Pictorial Traditions8 -- Politics of Art and the Art of Politics: Re-use of 'Tribal' Arts and Artefacts in Modern Orissa; 9 -- Another Form of Re-use?: Institutional Continuity and 'Indigenisation' of Westminster Parliamentarianism and Western Party Politics in Post-colonial India; 10 -- Myth, Idea, Dream and Vision: Nehru's Discovery of India; 11 -- Use and Re-use of 'Pakistan' in the Indian Muslim Press(1932-47).

12 -- Buddhism and Collective Emancipation in Modern India: B.R. Ambedkar's Re-use of the Buddha's Dharma in the Dalit Movement13 -- 'The Jain Way of Life': Modern Re-use and Reinterpretation of Ancient Jain Concepts; 14 -- Icons, Nations and Re-use: Marianne, France and Bharat Mata, India; Glossary; About the Editors and Contributors; Index.

Presented here is a novel approach to understanding the relationship between the past and the present using the unique concept of re-use, wherein elements from the past are strategically adapted into the present, and thus become part of a new modernity. The book uses this method as a heuristic tool for analysing and interpreting cultural and political changes and the transnational flow of ideas, concepts and objects. The chapters apply this concept to South Asia but the concept of re-use and the method of its application are both general and amenable to cross-cultural and comparative analysis.

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