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Romantic anatomies of performance / J.Q. Davies.

By: Material type: TextTextSeries: Ahmanson Foundation book in the humanitiesPublisher: Berkeley, CA : University of California Press, 2014Copyright date: ©2014Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780520958005
  • 0520958004
  • 1306498503
  • 9781306498500
Subject(s): Genre/Form: Additional physical formats: Print version:: Romantic anatomies of performanceDDC classification:
  • 781.4/309034 23
LOC classification:
  • ML160 .D257 2014eb
Online resources:
Contents:
Veluti in speculum : the twilight of the castrato -- Reflecting on reflex : a touching fact about Chopin -- The Sontag-Malibran stereotype -- Boneless hands/Thalberg's ready-made soul/velvet fingers -- In search of voice : Nourrit's voix mixte, Donzelli's bari-tenor -- Liszt's metapianism and the cultural history of the hand.
Summary: Romantic Anatomies of Performance takes as its subject the great virtuoso performers of the nineteenth century, examining the ways in which they thought of their own extraordinary gifts, the ways their contemporaries envisioned them, and how they have been imagined by history. It looks at the pianists and singers-Chopin, Rubini, Malibran, Nourrit, Donzelli, Thalberg, Liszt, and Sontag-who plied their trade in the leading musical centers of nineteenth-century Europe: London and Paris. Focusing on this musical circuit, J.Q. Davies engages with historians of culture and science in thinking about.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Veluti in speculum : the twilight of the castrato -- Reflecting on reflex : a touching fact about Chopin -- The Sontag-Malibran stereotype -- Boneless hands/Thalberg's ready-made soul/velvet fingers -- In search of voice : Nourrit's voix mixte, Donzelli's bari-tenor -- Liszt's metapianism and the cultural history of the hand.

Print version record.

Romantic Anatomies of Performance takes as its subject the great virtuoso performers of the nineteenth century, examining the ways in which they thought of their own extraordinary gifts, the ways their contemporaries envisioned them, and how they have been imagined by history. It looks at the pianists and singers-Chopin, Rubini, Malibran, Nourrit, Donzelli, Thalberg, Liszt, and Sontag-who plied their trade in the leading musical centers of nineteenth-century Europe: London and Paris. Focusing on this musical circuit, J.Q. Davies engages with historians of culture and science in thinking about.

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