Film talk : directors at work / Wheeler Winston Dixon.

By:

Dixon, Wheeler W, 1950-

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780813541471
0813541476

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Film talk.DDC classification:

791.43023/30922 22

LOC classification:

PN1995.9.P7 D548 2007eb

Online resources:

Click here to access online

Contents:

The old masters -- Ronald Neame (The horse's mouth, Tunes of glory, I could go on singing, The Poseidon adventure) -- Val Guest (The Quatermass xperiment, Expresso bongo, Casino Royale) -- Budd Boetticher (Buchanan rides alone, The killer is loose, Arruza) -- Albert Maysles (Gimme shelter, Salesman, What's happening!, The Beatles in the U.S.A.) -- Cult visions -- Jack Hill (The big doll house, Coffy, Foxy Brown, Switchblade sisters) -- Monte Hellman (The shooting, Two-lane blacktop) -- Robert Downey, Sr. (Putney swope, Greaser's palace) -- New voices -- Takashi Shimizu (The grudge, The grudge 2) -- Jamie Babbit (But I'm a cheerleader) -- Bennett Miller (Capote) -- Kasi Lemmons (Eve's Bayou).

Action note:

digitized 2010 HathiTrust Digital Library committed to preserve

Summary: What 1970s Hollywood filmmaker influenced Quentin Tarantino? How have contemporary Japanese horror films inspired Takashi Shimizu, director of the huge box office hit The Grudge? What is it like to be an African American director in the twenty-first century? The answers to these questions, along with many more little-known facts and insights, can be found in Film Talk, an in-depth, behind-the-scenes look at filmmaking from the 1940s to the present. In eleven intimate and revealing interviews, contemporary film directors speak frankly about their work-their successes and their disappointments, their personal aspirations, struggles, relationships, and the politics that affect the industry. A medley of directors including those working in pop culture and documentary, as well as feminist filmmakers, social satirists, and Hollywood mavericks recount stories that have never before been published. Among them are Monte Hellman, the auteur of the minimalist masterpiece Two-Lane Blacktop; Albert Maysles, who with his late brother David, created some of the most important documentaries of the 1960s, including Salesman and The Beatles: What's Happening?; Robert Downey Sr., whose social satires Putney Swope and Greaser's Palace paved the way for a generation of filmmakers; Bennett Miller, whose film Capote won an Academy Award in 2005; and Jamie Babbit, a lesbian crossover director whose low-budget film But I'm a Cheerleader! became a mainstream hit. The candid conversations, complimented by more than fifty photographs, including many that are rare, make this book essential reading for aspiring moviemakers, film scholars, and everyone interested in the how movies are made and who the fascinating individuals are who make them.

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Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes index.

Print version record.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

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English.

What 1970s Hollywood filmmaker influenced Quentin Tarantino? How have contemporary Japanese horror films inspired Takashi Shimizu, director of the huge box office hit The Grudge? What is it like to be an African American director in the twenty-first century? The answers to these questions, along with many more little-known facts and insights, can be found in Film Talk, an in-depth, behind-the-scenes look at filmmaking from the 1940s to the present. In eleven intimate and revealing interviews, contemporary film directors speak frankly about their work-their successes and their disappointments, their personal aspirations, struggles, relationships, and the politics that affect the industry. A medley of directors including those working in pop culture and documentary, as well as feminist filmmakers, social satirists, and Hollywood mavericks recount stories that have never before been published. Among them are Monte Hellman, the auteur of the minimalist masterpiece Two-Lane Blacktop; Albert Maysles, who with his late brother David, created some of the most important documentaries of the 1960s, including Salesman and The Beatles: What's Happening?; Robert Downey Sr., whose social satires Putney Swope and Greaser's Palace paved the way for a generation of filmmakers; Bennett Miller, whose film Capote won an Academy Award in 2005; and Jamie Babbit, a lesbian crossover director whose low-budget film But I'm a Cheerleader! became a mainstream hit. The candid conversations, complimented by more than fifty photographs, including many that are rare, make this book essential reading for aspiring moviemakers, film scholars, and everyone interested in the how movies are made and who the fascinating individuals are who make them.

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