The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel.
Material type: TextSeries: Literary criticism and cultural theoryPublication details: Hoboken : Taylor and Francis, 2013.Description: 1 online resource (215 pages)Content type:- text
- computer
- online resource
- 9781135492922
- 1135492921
- English fiction -- 19th century -- History and criticism
- Sublime, The, in literature
- Literature and society -- Great Britain -- History -- 19th century
- Romanticism -- Great Britain
- Middle class in literature
- Subjectivity in literature
- Roman anglais -- 19e siècle -- Histoire et critique
- Sublime dans la littérature
- Littérature et société -- Grande-Bretagne -- Histoire -- 19e siècle
- Romantisme -- Grande-Bretagne
- Subjectivité dans la littérature
- LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh
- English fiction
- Literature and society
- Middle class in literature
- Romanticism
- Subjectivity in literature
- Sublime, The, in literature
- Great Britain
- 1800-1899
- 823.809384 823/.809384
- PR878.S824 H36 2013
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Cover; Title Page; Copyright Page; Dedication; Table of Contents; Acknowledgments; Chapter One:Moral Authority and the Sublime: Kantian Idealism, Burkean Empiricism, and the Absolutely Small; The Sublime, Moral Authority, and Monarchy; Empiricism, the Divisible Sublime and the Social Body; Sublime Womanhood; Chapter Two:""That Huge Fermenting Mass"": Wordsworth and the Divisible Self; Divisibility and Temporality; The Beautiful, the Sublime, and Liminal Space; The Liminal and Class Identity in ""Resolution and Independence""
Chapter Three:Percy Bysshe Shelley's Sublime Woman and the Divisible SublimeShelleyand the Sublime Woman; Dante, Male Violence, and the Roots of the Sublime Woman in the Cenci; Chapter Four: The Sublime Woman and the Mature Middle-Class Man in Middlemarch; Ideally Illuminated Space; Romanticism and Eliot's Sublime; Mary Shelley and Sublime Womanhood; "A kind of Shelley, You Know""; Darwin, the Sublime, and Mature Romanticism; Chapter Five:Fearing Their Bodies: The King, the Queen and the Sublime in Thackeray; The Bedchamber Incident, Fear, and the Sublime; Thackeray and the Sovereign Sublime.
George III and George IVAmelia, Becky, and the Missing Sublime Woman in VanityFair; Queen Victoria and the Fear of the Feminine Sublime; Chapter Six:How Little is Dorrit?: Dickens and the Sublimity of Absolute Smallness; Vanishing Point; Amy Dorrit's Two Bodies; Tattycoram Learning to be Sublime; Chapter Seven:Jude the Obscure and the Tragedy of Aesthetic Ideology; Jude Fawley, Displaced Workers and Aesthetic Ideology; Bourgeois Sexuality and Vocation: The Tragedyof Sublime Womanhood; Conclusion; Notes; Bibliography; Index.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
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