The musical legacy of wartime France / Leslie A. Sprout.
Material type: TextSeries: California studies in 20th-century music ; 16.Publisher: Berkeley : University of California Press, 2013Description: 1 online resource (xxiii, 280 pages) : illustrations, musicContent type:- text
- computer
- online resource
- 0520955277
- 9780520955271
- Music -- France -- 20th century -- History and criticism
- World War, 1939-1945 -- Music and the war
- Musique -- France -- 20e siècle -- Histoire et critique
- Guerre mondiale, 1939-1945 -- Musique et guerre
- MUSIC -- Genres & Styles -- International
- MUSIC -- Genres & Styles -- Classical
- Music
- Music and war
- France
- World War (1939-1945)
- 1900-1999
- 780.944/09044 23
- ML270.5 .S67 2013
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Music mattered to the three forces competing for political authority in France during the Second World War. German occupying authorities promoted German music at the expense of the French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works.
Print version record.
Cover; Title; Copyright; Dedication; Contents; List of Illustrations; Preface and Acknowledgments; 1. Poulenc's Wartime Secrets; 2. Honegger's Postwar Rehabilitation; 3. Ignoring Jolivet's Testimony, Embracing Messiaen's Memories; 4. The Timeliness of Duruflé's Requiem; 5. From the Postwar to the Cold War: Protesting Stravinsky in Postwar France; Notes; Bibliography; Index.
English.
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