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Kinesthetic empathy in creative and cultural practices / edited by Dee Reynolds and Matthew Reason.

Contributor(s): Material type: TextTextPublication details: Bristol : Intellect, 2012.Description: 1 online resource (334 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781841507002
  • 1841507008
  • 1841504912
  • 9781841504919
Subject(s): Genre/Form: Additional physical formats: Print version:: No titleDDC classification:
  • 700.1 23
LOC classification:
  • NX160 .K5 2012eb
Online resources:
Contents:
FrontCover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Part I: Mirroring Movements: Empathy and Social Interactions; Introduction; Chapter 1: Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance; Chapter 2: Kinesthetic Empathy and Movement Metaphor in Dance Movement Psychotherapy; Chapter 3: Affective Responses to Everyday Actions; Part II: Kinesthetic Engagement: Embodied Responses and Intersubjectivity; Introduction; Chapter 4: Cinematic Empathy: Spectator Involvement in the Film Experience.
Chapter 5: Musical Group Interaction, Intersubjectivity and Merged SubjectivityChapter 6: Kinesthetic Empathy and the Dance's Body: From Emotion to Affect; Part III: Kinesthetic Impact: Performance and Embodied Engagement; Introduction; Chapter 7: Kinesthetic Empathy in Charlie Chaplin's Silent Films; Chapter 8: Effort and Empathy: Engaging with Film Performance; Chapter 9: Breaking the Distance: Empathy and Ethical Awareness in Performance; Part IV: Artistic Enquiries: Kinesthetic Empathy and Practice-Based Research; Introduction.
Chapter 10: R e-Thinking Stillness: Empathetic Experiences of Stillness in Performance and SculptureChapter 11: Empathy and Exchange: Audience Experiences of Scenography; Chapter 12: Photography and the Representation of Kinesthetic Empathy; Part V: Technological Practices: Kinesthetic Empathy in Virtual and Interactive Environments; Introduction; Chapter 13: T he Poetics of Motion Capture and Visualisation Techniques: The Differences between Watching Real and Virtual Dancing Bodies; Chapter 14: Interactive Multimedia Performance and the Audience's Experience of Kinesthetic Empathy.
Chapter 15: Kinesthetic Empathy Interaction: Exploring the Concept of Psychomotor Abilities and Kinesthetic Empathy in Designing Interactive SportsEquipmentConclusion; Notes on Contributors; Index; BackCover.
Summary: A key interdisciplinary concept in our understanding of social interaction across creative and cultural practices, kinesthetic empathy describes the ability.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Print version record.

FrontCover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Part I: Mirroring Movements: Empathy and Social Interactions; Introduction; Chapter 1: Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance; Chapter 2: Kinesthetic Empathy and Movement Metaphor in Dance Movement Psychotherapy; Chapter 3: Affective Responses to Everyday Actions; Part II: Kinesthetic Engagement: Embodied Responses and Intersubjectivity; Introduction; Chapter 4: Cinematic Empathy: Spectator Involvement in the Film Experience.

Chapter 5: Musical Group Interaction, Intersubjectivity and Merged SubjectivityChapter 6: Kinesthetic Empathy and the Dance's Body: From Emotion to Affect; Part III: Kinesthetic Impact: Performance and Embodied Engagement; Introduction; Chapter 7: Kinesthetic Empathy in Charlie Chaplin's Silent Films; Chapter 8: Effort and Empathy: Engaging with Film Performance; Chapter 9: Breaking the Distance: Empathy and Ethical Awareness in Performance; Part IV: Artistic Enquiries: Kinesthetic Empathy and Practice-Based Research; Introduction.

Chapter 10: R e-Thinking Stillness: Empathetic Experiences of Stillness in Performance and SculptureChapter 11: Empathy and Exchange: Audience Experiences of Scenography; Chapter 12: Photography and the Representation of Kinesthetic Empathy; Part V: Technological Practices: Kinesthetic Empathy in Virtual and Interactive Environments; Introduction; Chapter 13: T he Poetics of Motion Capture and Visualisation Techniques: The Differences between Watching Real and Virtual Dancing Bodies; Chapter 14: Interactive Multimedia Performance and the Audience's Experience of Kinesthetic Empathy.

Chapter 15: Kinesthetic Empathy Interaction: Exploring the Concept of Psychomotor Abilities and Kinesthetic Empathy in Designing Interactive SportsEquipmentConclusion; Notes on Contributors; Index; BackCover.

A key interdisciplinary concept in our understanding of social interaction across creative and cultural practices, kinesthetic empathy describes the ability.

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