Love and liberation : autobiographical writings of the Tibetan Buddhist visionary Sera Khandro / Sarah H. Jacoby.

By:

Jacoby, Sarah [author.]

Material type: Text

TextPublisher number: MWT11864344Publisher: New York : Columbia University Press, [2014]Description: 1 online resource (xxv, 422 pages .)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

0231519532
9780231519533
0231147694
9780231147699

Subject(s): Genre/Form:

Additional physical formats: Print version:: Love and liberation.DDC classification:

294.3/923092 B 23

LOC classification:

BQ942.D427 J33 2014

Online resources:

Click here to access online

Contents:

Frontmatter -- Contents -- List of Illustrations -- Preface and Acknowledgments -- Technical Note on Tibetan and Sanskrit Words -- Abbreviations -- Chronology -- Maps -- Introduction -- 1. THE LIFE AND TIMES OF SERA KHANDRO -- 2. A GUEST IN THE SACRED LAND OF GOLOK -- 3. ḌĀKINĪ DIALOGUES -- 4. SACRED SEXUALITY -- 5. LOVE BETWEEN METHOD AND INSIGHT -- EPILOGUE: Love After Death -- Spelling of Key Tibetan Names and Terms -- Notes -- Bibliography -- Index

Summary: Love and Liberation reads the autobiographical and biographical writings of one of the few Tibetan Buddhist women to record the story of her life. Sera Khandro Künzang Dekyong Chönyi Wangmo (also called Dewé Dorjé, 1892-1940) was extraordinary not only for achieving religious mastery as a Tibetan Buddhist visionary and guru to many lamas, monastics, and laity in the Golok region of eastern Tibet, but also for her candor. This book listens to Sera Khandro's conversations with land deities, dakinis, bodhisattvas, lamas, and fellow religious community members whose voices interweave with her own to narrate what is a story of both love between Sera Khandro and her guru, Drimé Özer, and spiritual liberation. Sarah H. Jacoby's analysis focuses on the status of the female body in Sera Khandro's texts, the virtue of celibacy versus the expediency of sexuality for religious purposes, and the difference between profane lust and sacred love between male and female tantric partners. Her findings add new dimensions to our understanding of Tibetan Buddhist consort practices, complicating standard scriptural presentations of male subject and female aide. Sera Khandro depicts herself and Drimé Özer as inseparable embodiments of insight and method that together form the Vajrayana Buddhist vision of complete buddhahood. By advancing this complementary sacred partnership, Sera Khandro carved a place for herself as a female virtuoso in the male-dominated sphere of early twentieth-century Tibetan religion.

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references and index.

Print version record.

Love and Liberation reads the autobiographical and biographical writings of one of the few Tibetan Buddhist women to record the story of her life. Sera Khandro Künzang Dekyong Chönyi Wangmo (also called Dewé Dorjé, 1892-1940) was extraordinary not only for achieving religious mastery as a Tibetan Buddhist visionary and guru to many lamas, monastics, and laity in the Golok region of eastern Tibet, but also for her candor. This book listens to Sera Khandro's conversations with land deities, dakinis, bodhisattvas, lamas, and fellow religious community members whose voices interweave with her own to narrate what is a story of both love between Sera Khandro and her guru, Drimé Özer, and spiritual liberation. Sarah H. Jacoby's analysis focuses on the status of the female body in Sera Khandro's texts, the virtue of celibacy versus the expediency of sexuality for religious purposes, and the difference between profane lust and sacred love between male and female tantric partners. Her findings add new dimensions to our understanding of Tibetan Buddhist consort practices, complicating standard scriptural presentations of male subject and female aide. Sera Khandro depicts herself and Drimé Özer as inseparable embodiments of insight and method that together form the Vajrayana Buddhist vision of complete buddhahood. By advancing this complementary sacred partnership, Sera Khandro carved a place for herself as a female virtuoso in the male-dominated sphere of early twentieth-century Tibetan religion.