Women, the recited Qur'an, and Islamic music in Indonesia / Anne K. Rasmussen.

By:

Rasmussen, Anne K [author.]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780520947429
0520947428
1282732528
9781282732520
9786612732522
6612732520

Subject(s): Genre/Form:

Additional physical formats: Print version:: Women, the recited Qur'an, and Islamic music in Indonesia.DDC classification:

781.7/7008209598 22

LOC classification:

ML3197 .R37 2010eb

Online resources:

Click here to access online

Contents:

Setting the scene -- Hearing Islam in the atmosphere -- Learning recitation : the institutionalization of the recited Qur'an -- Celebrating religion and nation : the festivalization of the Qur'an -- Performing piety through Islamic musical arts -- Rethinking women, music, and Islam.

Summary: Women, the Recited Qur'an, and Islamic Music in Contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an, and where an extraordinary diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on unique and revealing ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the powerful.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 279-295) and index.

Women, the Recited Qur'an, and Islamic Music in Contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an, and where an extraordinary diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on unique and revealing ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the powerful.