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The real negro : the question of authenticity in twentieth-century African American literature / Shelly Eversley.

By: Material type: TextTextSeries: Literary criticism and cultural theoryPublication details: New York : Routledge, 2004.Description: 1 online resource (111 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0203498399
  • 9780203498392
  • 9780415968355
  • 0415968356
  • 9781135883348
  • 1135883343
  • 1135883351
  • 9781135883355
  • 0429233639
  • 9780429233630
  • 1280164832
  • 9781280164835
Subject(s): Genre/Form: Additional physical formats: Print version:: Real negro.DDC classification:
  • 810.9/896073/0904 22
LOC classification:
  • PS153.N5 E93 2004eb
Online resources:
Contents:
Ch. 1. Black man, blackface : the case of Paul Laurence Dunbar -- ch. 2. Racial hieroglyphics : Zora Neale Hurston and the rise of the new Negro -- ch. 3. "Unspoken words are stronger" : narrative interiority and racial visibility in Gwendolyn Brooks's Maud Martha -- ch. 4. Sex and violence : the poetics of black power.
Summary: In this book, Shelly Eversley historicizes the demand for racial authenticity - what Zora Neale Hurston called 'the real Negro' - in twentieth-century American literature.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Print version record.

Ch. 1. Black man, blackface : the case of Paul Laurence Dunbar -- ch. 2. Racial hieroglyphics : Zora Neale Hurston and the rise of the new Negro -- ch. 3. "Unspoken words are stronger" : narrative interiority and racial visibility in Gwendolyn Brooks's Maud Martha -- ch. 4. Sex and violence : the poetics of black power.

In this book, Shelly Eversley historicizes the demand for racial authenticity - what Zora Neale Hurston called 'the real Negro' - in twentieth-century American literature.

English.

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