The real negro : the question of authenticity in twentieth-century African American literature / Shelly Eversley.
Material type: TextSeries: Literary criticism and cultural theoryPublication details: New York : Routledge, 2004.Description: 1 online resource (111 pages)Content type:- text
- computer
- online resource
- 0203498399
- 9780203498392
- 9780415968355
- 0415968356
- 9781135883348
- 1135883343
- 1135883351
- 9781135883355
- 0429233639
- 9780429233630
- 1280164832
- 9781280164835
- American literature -- African American authors -- History and criticism
- American literature -- 20th century -- History and criticism
- African Americans -- Intellectual life -- 20th century
- Authenticity (Philosophy) in literature
- African Americans in literature
- Reality in literature
- Race in literature
- Littérature américaine -- 20e siècle -- Histoire et critique
- Noirs américains -- Vie intellectuelle -- 20e siècle
- Authenticité (Philosophie) dans la littérature
- Noirs américains dans la littérature
- Réalité dans la littérature
- Race dans la littérature
- LITERARY CRITICISM -- American -- General
- African Americans in literature
- African Americans -- Intellectual life
- American literature
- American literature -- African American authors
- Authenticity (Philosophy) in literature
- Race in literature
- Reality in literature
- 1900-1999
- 810.9/896073/0904 22
- PS153.N5 E93 2004eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Print version record.
Ch. 1. Black man, blackface : the case of Paul Laurence Dunbar -- ch. 2. Racial hieroglyphics : Zora Neale Hurston and the rise of the new Negro -- ch. 3. "Unspoken words are stronger" : narrative interiority and racial visibility in Gwendolyn Brooks's Maud Martha -- ch. 4. Sex and violence : the poetics of black power.
In this book, Shelly Eversley historicizes the demand for racial authenticity - what Zora Neale Hurston called 'the real Negro' - in twentieth-century American literature.
English.
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