Albrecht Dürer & the epistolary mode of address / Shira Brisman.
Material type: TextPublisher: Chicago : The University of Chicago Press, 2016Copyright date: ©2016Description: 1 online resource (223 pages) : illustrations (some color)Content type:- text
- still image
- computer
- online resource
- 9780226354897
- 022635489X
- Albrecht Dürer and the epistolary mode of address
- Dürer, Albrecht, 1471-1528 -- Criticism and interpretation
- Dürer, Albrecht, 1471-1528 -- Correspondence
- Dürer, Albrecht, 1471-1528
- Dürer, Albrecht 1471-1528
- Dürer, Albrecht, (1471-1528)
- Communication and the arts -- Germany -- History -- 16th century
- Communication in art -- Germany -- History -- 16th century
- Visual communication -- Germany -- History -- 16th century
- German letters -- 16th century -- History and criticism
- Written communication -- Germany -- History -- 16th century
- Communication et arts -- Allemagne -- Histoire -- 16e siècle
- Communication dans l'art -- Histoire -- 16e siècle
- Communication visuelle -- Allemagne -- Histoire -- 16e siècle
- Lettres allemandes (Genre littéraire) -- 16e siècle -- Histoire et critique
- Communication écrite -- Allemagne -- Histoire -- 16e siècle
- ART -- General
- Communication and the arts
- Communication in art
- German letters
- Visual communication
- Written communication
- Germany
- Brief
- Kommunikation
- 1500-1599
- 740.92
- N6888.D8
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 187-218) and index.
Introduction -- The body of a letter -- The message in transit -- Relay and delay -- Privileged mediators -- Interception -- Dürer's open letter -- Conclusion.
"Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication. In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex travel patterns of sixteenth-century missives, Brisman explains how these issues of sending and receiving informed Dürer's artistic practices. His success, she contends, was due in large part to his development of pictorial strategies an epistolary mode of address marked by a direct and intimate appeal to the viewer, an appeal that also acknowledges the distance and delay that defers the message before it can reach its recipient. As images, often in the form of prints, coursed through an open market, and artists lost direct control over the sale and reception of their work, Germany's chief printmaker navigated the new terrain by creating in his images a balance between legibility and concealment, intimacy and public address." -- Provided by the publisher.
Shira Brisman is assistant professor of art history at the University of Wisconsin-Madison.
In English.
Print version record.
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