Curious and modern inventions : instrumental music as discovery in Galileo's Italy / Rebecca Cypess.
Material type:
TextPublisher: Chicago ; London : The University of Chicago Press, 2016Description: 1 online resourceContent type: - text
- computer
- online resource
- 9780226319582
- 022631958X
- Marini, Biagio, 1597?-1665. Affetti musicali
- Farina, Carlo, approximately 1600-approximately 1640
- Frescobaldi, Girolamo, 1583-1643
- Castello, Dario, active 1621-1644
- Castello, Dario, active 1621-1644
- Farina, Carlo, approximately 1600-approximately 1640
- Frescobaldi, Girolamo, 1583-1643
- Instrumental music -- Italy -- 17th century -- History and criticism
- Music -- Italy -- 17th century -- History and criticism
- Musique instrumentale -- Italie -- 17e siècle -- Histoire et critique
- Musique -- Italie -- 17e siècle -- Histoire et critique
- MUSIC -- Musical Instruments -- General
- MUSIC -- Printed Music -- Band & Orchestra
- Instrumental music
- Music
- Italy
- 1600-1699
- 784.0945/09032 23
- ML503.2 .C96 2016eb
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
Electronic-Books
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
The paradox of instrumentality: the material and the ephemeral in early modern -- Instrumental music -- Instruments of the affetti: Biagio Marini's Affetti musicali (1617) -- Portraiture in motion: instrumental music and the representation of the Affetti -- "Curiose e moderne inventioni": Biagio Marini's Sonate (1626) and Carlo Farina's "Capriccio stravagante" (1627) as collections of curiosities -- Instruments of timekeeping: the case of Frescobaldi's Toccate e partite ... libro primo -- The stile moderno and the art of history: artisanship and historical consciousness in the works of Dario Castello.
Online resource; title from PDF title page (EBSCO, viewed March 14, 2016).
'Curious and Modern Inventions' offers an insight into the motivating forces behind music, tracing it to a new conception of instruments of all sorts - whether musical, artistic, or scientific - as vehicles of discovery.
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