Embodied acting what neuroscience tells us about performance
Material type:
TextPublication details: London Routledge 2012Description: xxiii,230p. ill. ; 22 cmISBN: - 9780415507875
- 792.028 22 KE-E
- PN2058 .K46 2012
Print
| Item type | Home library | Collection | Shelving location | Call number | Materials specified | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|---|
|
Print
|
OPJGU Sonepat- Campus | General Books | Main Library | 792.028 KE-E (Browse shelf(Opens below)) | Available | 128848 |
Browsing OPJGU Sonepat- Campus shelves, Collection: General Books Close shelf browser (Hides shelf browser)
|
|
|
|
|
|
|
||
| 792.02230943 LE-P Postdramatic theatre | 792.02230943 LE-P Postdramatic theatre | 792.028 JO-D Disobedient theatre alternative ways to inspire, animate and play | 792.028 KE-E Embodied acting what neuroscience tells us about performance | 792.028 KR-A Actor`s craft the art and technique of acting | 792.028 ME-A Acting the basics | 792.028 ME-A Acting the basics |
Includes bibliographical references (p. 222-227) and index.
Introduction -- Why should theatre people be interested in cognitive studies? -- How does the actor communicate meaning non-verbally? -- What is the relationship between thought, physical action, and language? -- How does the actor create a character? -- How does the actor identify with the character? -- How does the actor embody emotion in fictional circumstances? -- Conclusion.
There are no comments on this title.