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The girl on the magazine cover : the origins of visual stereotypes in American mass media / Carolyn Kitch.

By: Material type: TextTextPublication details: Chapel Hill : University of North Carolina Press, ©2001.Description: 1 online resource (xii, 252 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780807898956
  • 0807898953
  • 9781469606293
  • 1469606291
Subject(s): Genre/Form: Additional physical formats: Print version:: Girl on the magazine cover.DDC classification:
  • 302.23/082/0973 22
LOC classification:
  • P94.5.W652 U655 2001eb
Other classification:
  • 05.33
Online resources:
Contents:
From true woman to new woman -- The American girl -- Dangerous women and the crisis of masculinity -- Alternative visions -- Patriotic images -- The flapper -- The modern American family -- The advertising connection.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: Girl on the Magazine Cover: The Origins of Visual Stereotypes in American Mass Media.Summary: "From the Gibson Girl to the flapper, from the vamp to the New Woman, Carolyn Kitch traces mass media images of women to their historical roots on magazine covers, unveiling the origins of gender stereotypes in early-twentieth-century American culture. Kitch examines the years from 1895 to 1930 as a time when the first wave of feminism intersected with the rise of new technologies and media for the reproduction and dissemination of visual images. Access to suffrage, higher education, the professions, and contraception broadened women's opportunities, but the images found on magazine covers emphasized the role of women as consumers: suffrage was reduced to spending, sexuality to sexiness, and a collective women's movement to individual choices of personal style. In the 1920s, Kitch argues, the political prominence of the New Woman dissipated, but her visual image pervaded print media. With seventy-five photographs of cover art by the era's most popular illustrators, The Girl on the Magazine Cover shows how these images created a visual vocabulary for understanding femininity and masculinity, as well as class status. Through this iconic process, magazines helped set cultural norms for women, for men, and for what it meant to be an American, Kitch contends."--Google books viewed Feb. 12, 2021.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 221-238) and index.

From true woman to new woman -- The American girl -- Dangerous women and the crisis of masculinity -- Alternative visions -- Patriotic images -- The flapper -- The modern American family -- The advertising connection.

Print version record.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

Girl on the Magazine Cover: The Origins of Visual Stereotypes in American Mass Media.

"From the Gibson Girl to the flapper, from the vamp to the New Woman, Carolyn Kitch traces mass media images of women to their historical roots on magazine covers, unveiling the origins of gender stereotypes in early-twentieth-century American culture. Kitch examines the years from 1895 to 1930 as a time when the first wave of feminism intersected with the rise of new technologies and media for the reproduction and dissemination of visual images. Access to suffrage, higher education, the professions, and contraception broadened women's opportunities, but the images found on magazine covers emphasized the role of women as consumers: suffrage was reduced to spending, sexuality to sexiness, and a collective women's movement to individual choices of personal style. In the 1920s, Kitch argues, the political prominence of the New Woman dissipated, but her visual image pervaded print media. With seventy-five photographs of cover art by the era's most popular illustrators, The Girl on the Magazine Cover shows how these images created a visual vocabulary for understanding femininity and masculinity, as well as class status. Through this iconic process, magazines helped set cultural norms for women, for men, and for what it meant to be an American, Kitch contends."--Google books viewed Feb. 12, 2021.

English.

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