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Columbia Pictures : portrait of a studio / Bernard F. Dick, editor.

Contributor(s): Material type: TextTextPublication details: Lexington, Ky. : University Press of Kentucky, ©1992.Description: 1 online resource (x, 293 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813149615
  • 0813149614
Subject(s): Genre/Form: Additional physical formats: Print version:: Columbia Pictures.DDC classification:
  • 384/.8/06579497 20
LOC classification:
  • PN1999.C57 C64 1991
Other classification:
  • 24.32
Online resources:
Contents:
From the brothers Cohn to Sony Corp. / Bernard F. Dick -- Frank Capra at Columbia : necessity and invention / Charles Maland -- Columbia's screwball comedies : wine, women and wisecracks / Joy Gould Boyum -- Film noir at Columbia : fashion and innovation / J.P. Telotte -- Rita Hayworth at Columbia : the fabrication of a star / William Vincent -- Judy Holliday : the star and the studio / Ruth Prigozy -- An interview with Daniel Taradash : from Harvard to Hollywood / Bernard F. Dick -- On the waterfront : "Like It Ain't Part of America" / Adam J. Sorkin -- Anatomy of a murder : life and art in the courtroom / Jeanine Basinger -- Columbia and the counterculture : trilogy of defeat / Sybil Delgaudio -- Taxi driver : bringing home the war / Les Keyser -- Lawrence of Arabia, 1962, 1989 : "It Looks Damn Good" / Gene D. Philips -- A soldier's story : a paradigm for justice / Jim Welsh -- The last emperor : a subject-in-the-making / Janice Mouton.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: The recent 3.4 billion purchase of Columbia Pictures by Sony Corporation focused attention on a studio that had survived one of Hollywood's worst scandals under David Begelman, as well as ownership by Coca-Cola and David Puttnam's misguided attempt to bring back the studio's glory days. Columbia Pictures traces Columbia's history from its beginnings as the CBC Film Sales Company (nicknamed ""Corned Beef and Cabbage"") through the regimes of Harry Cohn and his successors, and concludes with a vivid portrait of today's corporate Hollywood, with its investment bankers, entertainment lawyers, agen
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Filmography: pages 231-285.

From the brothers Cohn to Sony Corp. / Bernard F. Dick -- Frank Capra at Columbia : necessity and invention / Charles Maland -- Columbia's screwball comedies : wine, women and wisecracks / Joy Gould Boyum -- Film noir at Columbia : fashion and innovation / J.P. Telotte -- Rita Hayworth at Columbia : the fabrication of a star / William Vincent -- Judy Holliday : the star and the studio / Ruth Prigozy -- An interview with Daniel Taradash : from Harvard to Hollywood / Bernard F. Dick -- On the waterfront : "Like It Ain't Part of America" / Adam J. Sorkin -- Anatomy of a murder : life and art in the courtroom / Jeanine Basinger -- Columbia and the counterculture : trilogy of defeat / Sybil Delgaudio -- Taxi driver : bringing home the war / Les Keyser -- Lawrence of Arabia, 1962, 1989 : "It Looks Damn Good" / Gene D. Philips -- A soldier's story : a paradigm for justice / Jim Welsh -- The last emperor : a subject-in-the-making / Janice Mouton.

Includes bibliographical references and index.

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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

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Print version record.

The recent 3.4 billion purchase of Columbia Pictures by Sony Corporation focused attention on a studio that had survived one of Hollywood's worst scandals under David Begelman, as well as ownership by Coca-Cola and David Puttnam's misguided attempt to bring back the studio's glory days. Columbia Pictures traces Columbia's history from its beginnings as the CBC Film Sales Company (nicknamed ""Corned Beef and Cabbage"") through the regimes of Harry Cohn and his successors, and concludes with a vivid portrait of today's corporate Hollywood, with its investment bankers, entertainment lawyers, agen

English.

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