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Music divided : Bartók's legacy in cold war culture / Danielle Fosler-Lussier.

By: Material type: TextTextSeries: California studies in 20th-century music ; 7.Publication details: Berkeley : University of California Press, ©2007.Description: 1 online resource (xx, 229 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780520933392
  • 0520933397
  • 9781435601987
  • 143560198X
  • 1282359177
  • 9781282359178
  • 9786612359170
  • 661235917X
Subject(s): Genre/Form: Additional physical formats: Print version:: Music divided.DDC classification:
  • 780.92 22
LOC classification:
  • ML410.B26
Other classification:
  • 24.42
Online resources:
Contents:
Bartók's Concerto for orchestra and the demise of Hungary's "third road" -- A compromised composer : Bartók's music and Western Europe's fresh start -- "Bartók is ours" : the Voice of America and Hungarian control over Bartók's legacy -- Bartók and his publics : defining the "modern classic" -- Beyond the folk song; or, what was Hungarian socialist realist music? -- The "Bartók question" and the politics of dissent : the case of András Mihály -- Epilogue East : Bartók's difficult truths and the Hungarian revolution of 1956 -- Epilogue West : Bartók's legacy and George Rochberg's postmodernity.
Summary: In this groundbreaking study, the author illuminates the pervasive political anxieties of the era through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary's most renowned 20th century composer, Béla Bartók.
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Includes bibliographical references (pages 207-219) and index.

Bartók's Concerto for orchestra and the demise of Hungary's "third road" -- A compromised composer : Bartók's music and Western Europe's fresh start -- "Bartók is ours" : the Voice of America and Hungarian control over Bartók's legacy -- Bartók and his publics : defining the "modern classic" -- Beyond the folk song; or, what was Hungarian socialist realist music? -- The "Bartók question" and the politics of dissent : the case of András Mihály -- Epilogue East : Bartók's difficult truths and the Hungarian revolution of 1956 -- Epilogue West : Bartók's legacy and George Rochberg's postmodernity.

Print version record and CIP data provided by publisher; resource not viewed.

In this groundbreaking study, the author illuminates the pervasive political anxieties of the era through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary's most renowned 20th century composer, Béla Bartók.

English.

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