War on crime : bandits, G-men, and the politics of mass culture / Claire Bond Potter.

By:

Potter, Claire Bond, 1958-

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

0585116393
9780585116396
0813560179
9780813560175

Subject(s):

Genre/Form:

Additional physical formats: Print version:: War on crime.DDC classification:

364.973 21

LOC classification:

HV8144.F43 P67 1998eb

Online resources:

Click here to access online

Contents:

Prohibition, crime, and federal policing -- Scientific policing, masculinity, and bureau reform -- The making of a crime wave -- Romance, bandit identity, and the rise of celebrity bandits -- Kidnapping, federal policing, and the role of the public in the war on crime -- John Dillinger as political actor -- The Barker-Karpis Gang, surveillance, and the victory of federal policing.

Summary: War on Crime revises the history of the New Deal transformation and suggests a new model for political historyone which recognizes that cultural phenomena and the political realm produce, between them, an idea of "the state." The war on crime was fought with guns and pens, movies and legislation, radio and government hearings. All of these methods illuminate this period of state transformation and perceptions of that emergent state, in the years of the first New Deal. The study of the creation of G-men and gangsters as cultural heroes in this period not only explores the Depression-era obsession with crime and celebrity, but it also lends insight on how citizens understood a nation undergoing large political and social changes.

Item type:

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 203-244) and index.

War on Crime revises the history of the New Deal transformation and suggests a new model for political historyone which recognizes that cultural phenomena and the political realm produce, between them, an idea of "the state." The war on crime was fought with guns and pens, movies and legislation, radio and government hearings. All of these methods illuminate this period of state transformation and perceptions of that emergent state, in the years of the first New Deal. The study of the creation of G-men and gangsters as cultural heroes in this period not only explores the Depression-era obsession with crime and celebrity, but it also lends insight on how citizens understood a nation undergoing large political and social changes.