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Comics and Pop Culture : Adaptation from Panel to Frame / edited by Barry Keith Grant and Scott Henderson

Contributor(s): Material type: TextTextPublication details: Austin : University of Texas Press, 2019.Description: 1 online resource (xiv, 330 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1477319409
  • 9781477319406
Subject(s): Genre/Form: Additional physical formats: Print version:: Comics and Pop Culture : Adaptation from Panel to Frame.DDC classification:
  • 791.43/6 23
LOC classification:
  • PN1997.85
Online resources:
Contents:
Intro; Acknowledgments; Introduction (Barry Keith Grant and Scott Henderson); Part One. Issues and Debates; The Crossroads of Infinity, or Universum Incognitum (Scott Bukatman); From Adaptation to Extension: A History of Comics Adapting Films, 1976-2015 (Blair Davis); Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production (Liam Burke); Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues (Chris Reyns-Chikuma); Genre and Superhero Cinema (Aaron Taylor)
Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives (Miriam Kent); Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation (Jason Rothery and Benjamin Woo); "We Roller Coaster Through . . .": Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies (Julian Hoxter); Adaptation and Seriality: Comic Book to Television Series Adaptations (Sherryl Vint); Part Two. Panels and Frames; Felix in-and out of-Space (J.P. Telotte)
A Comic Book Life/Style: World Building in American Splendor (Matt Yockey); The Extraordinary Career of Modesty Blaise (James Chapman); Authenticity and Judge Dredd on Film (J. Mark Percival); CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? (James C. Taylor); Scott Pilgrim's Precious Little Texts: Adaptation, Form, and Transmedia Co-creation (John Bodner); Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero's Night of the Living Dead (Aviva Briefel)
Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist (Scott Henderson); Black Panther: Aspiration, Identification, and Appropriation (Jeffrey A. Brown); Contributors; Index
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Print version record.

Includes bibliographical references and index.

Intro; Acknowledgments; Introduction (Barry Keith Grant and Scott Henderson); Part One. Issues and Debates; The Crossroads of Infinity, or Universum Incognitum (Scott Bukatman); From Adaptation to Extension: A History of Comics Adapting Films, 1976-2015 (Blair Davis); Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production (Liam Burke); Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues (Chris Reyns-Chikuma); Genre and Superhero Cinema (Aaron Taylor)

Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives (Miriam Kent); Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation (Jason Rothery and Benjamin Woo); "We Roller Coaster Through . . .": Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies (Julian Hoxter); Adaptation and Seriality: Comic Book to Television Series Adaptations (Sherryl Vint); Part Two. Panels and Frames; Felix in-and out of-Space (J.P. Telotte)

A Comic Book Life/Style: World Building in American Splendor (Matt Yockey); The Extraordinary Career of Modesty Blaise (James Chapman); Authenticity and Judge Dredd on Film (J. Mark Percival); CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? (James C. Taylor); Scott Pilgrim's Precious Little Texts: Adaptation, Form, and Transmedia Co-creation (John Bodner); Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero's Night of the Living Dead (Aviva Briefel)

Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist (Scott Henderson); Black Panther: Aspiration, Identification, and Appropriation (Jeffrey A. Brown); Contributors; Index

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