Hoodlum movies : seriality and the outlaw biker film cycle, 1966-1972 / Peter Stanfield.
Material type: TextPublisher: New Brunswick : Rutgers University Press, [2018]Copyright date: ©2018Description: 1 online resourceContent type:- text
- computer
- online resource
- 9780813599038
- 0813599032
- 9780813599052
- 0813599059
- 791.43/655 23
- PN1995.9.M66 S73 2018eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Introduction: hoodlum poses and gestures -- Strange excitements: the topical and the sensational -- Getting out of town: the cycle unfolds -- After Easy rider: modulations and curious combinations -- Nazi satanists, Viet vets and M'cycle mamas (and other such pulp delights) -- Conclusion: buried in the sand forever.
Online resource; title from PDF title page (EBSCO, viewed June 15, 2018).
Hoodlum Movies focuses on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were produced to appeal to audiences of mobile youths until 1972.
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