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Hoodlum movies : seriality and the outlaw biker film cycle, 1966-1972 / Peter Stanfield.

By: Material type: TextTextPublisher: New Brunswick : Rutgers University Press, [2018]Copyright date: ©2018Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813599038
  • 0813599032
  • 9780813599052
  • 0813599059
Subject(s): Genre/Form: Additional physical formats: Print version:: Hoodlum movies.DDC classification:
  • 791.43/655 23
LOC classification:
  • PN1995.9.M66 S73 2018eb
Online resources:
Contents:
Introduction: hoodlum poses and gestures -- Strange excitements: the topical and the sensational -- Getting out of town: the cycle unfolds -- After Easy rider: modulations and curious combinations -- Nazi satanists, Viet vets and M'cycle mamas (and other such pulp delights) -- Conclusion: buried in the sand forever.
Summary: Hoodlum Movies focuses on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were produced to appeal to audiences of mobile youths until 1972.
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Introduction: hoodlum poses and gestures -- Strange excitements: the topical and the sensational -- Getting out of town: the cycle unfolds -- After Easy rider: modulations and curious combinations -- Nazi satanists, Viet vets and M'cycle mamas (and other such pulp delights) -- Conclusion: buried in the sand forever.

Online resource; title from PDF title page (EBSCO, viewed June 15, 2018).

Hoodlum Movies focuses on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were produced to appeal to audiences of mobile youths until 1972.

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