Technics and time. 3, Cinematic time and the question of malaise / Bernard Stiegler ; translated by Stephen Barker.

By:

Stiegler, Bernard [author.]

Contributor(s):

Barker, Stephen, 1946- [translator.]

Material type: Text

TextLanguage: English Original language: French Series: Meridian (Stanford, Calif.)Publisher: Stanford, California : Stanford University Press, 2011Description: 1 online resource (xiv, 255 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780804799362
0804799369

Other title:

Cinematic time and the question of malaise

Uniform titles:

Temps du cinema et la question du mal-être. English

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Technics and time, 3.DDC classification:

303.483 23

LOC classification:

Online resources:

Click here to access online

Contents:

Cinematic time -- The cinema consciousness -- I and we : the American politics of adoption -- The malaise of our educational institutions -- Making (the) difference -- Technoscience and reproduction.

Summary: In the first two volumes of Technics and Time, Bernard Stiegler worked carefully through Heidegger's and Husserl's relationship to technics and technology. Here, in volume three, he turns his attention to the prolematic relationship to technics he finds in Kant's Critique of Pure Reason, particularly in the two versions of the Transcendental Deduction. Stiegler relates this problematic to the'cinematic nature'of time, which precedes cinema itself but reaches an apotheosis in it as the exteriorization process of schema, through tertiary retentions and their mechanisms. The book focuses on the relationship between these themes and the'culture industry'-- as defined by Adorno and Horkheimer--that has supplanted the educational institutions on which genuine cultural participation depends. This displacement, Stiegler says, has produced a malaise from which current global culture suffers. The result is potentially catastrophic.

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Includes bibliographical references (pages 251-255).

Online resource; title from PDF title page (EBSCO, viewed December 11, 2015).

Cinematic time -- The cinema consciousness -- I and we : the American politics of adoption -- The malaise of our educational institutions -- Making (the) difference -- Technoscience and reproduction.

In the first two volumes of Technics and Time, Bernard Stiegler worked carefully through Heidegger's and Husserl's relationship to technics and technology. Here, in volume three, he turns his attention to the prolematic relationship to technics he finds in Kant's Critique of Pure Reason, particularly in the two versions of the Transcendental Deduction. Stiegler relates this problematic to the'cinematic nature'of time, which precedes cinema itself but reaches an apotheosis in it as the exteriorization process of schema, through tertiary retentions and their mechanisms. The book focuses on the relationship between these themes and the'culture industry'-- as defined by Adorno and Horkheimer--that has supplanted the educational institutions on which genuine cultural participation depends. This displacement, Stiegler says, has produced a malaise from which current global culture suffers. The result is potentially catastrophic.

English.

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