Amazon cover image
Image from Amazon.com

Humor in Middle Eastern Cinema / edited by Gayatri Devi and Najat Rahman.

Contributor(s): Material type: TextTextSeries: Contemporary approaches to film and media series | UPCC book collections on Project MUSE. Film, Theater and Performing Arts.Publication details: Detroit, MI : Wayne State University Press, 2014.Description: 1 online resource (vi, 282 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780814339381
  • 0814339387
  • 0814339379
  • 9780814339374
Subject(s): Genre/Form: Additional physical formats: Print version:: Humor in Middle Eastern Cinema.DDC classification:
  • 791.430956 23
LOC classification:
  • PN1993.5.M53 H86 2014
Online resources:
Contents:
Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia : allegory and satire in Moncef Dhouib's The TV is coming / Robert Lang -- Satiric traversals in the comedy of Mehrān Modiri : space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic mediations : war and genre in The outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The wind will carry us / Gayatri Devi -- America the oppressively funny : humor and anti-Americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders : the case of the Bollywood film Tere Bin Laden / Mara Matta.
Summary: While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor-often satirical-has long been a staple of mainstream Arabic film. In "Humor in Middle Eastern Cinema, " editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent-including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema."Humor in Middle Eastern Cinema " explores what humor theorists have identified as an "emancipatory," "liberatory," even "revolutionary" function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region's masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema.
Item type:
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Print version record.

While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor-often satirical-has long been a staple of mainstream Arabic film. In "Humor in Middle Eastern Cinema, " editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent-including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema."Humor in Middle Eastern Cinema " explores what humor theorists have identified as an "emancipatory," "liberatory," even "revolutionary" function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region's masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema.

Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia : allegory and satire in Moncef Dhouib's The TV is coming / Robert Lang -- Satiric traversals in the comedy of Mehrān Modiri : space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic mediations : war and genre in The outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The wind will carry us / Gayatri Devi -- America the oppressively funny : humor and anti-Americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders : the case of the Bollywood film Tere Bin Laden / Mara Matta.

Includes filmography (pages 257-258).

Includes bibliographical references (pages 239-255) and index.

English.

eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide

There are no comments on this title.

to post a comment.

O.P. Jindal Global University, Sonepat-Narela Road, Sonepat, Haryana (India) - 131001

Send your feedback to glus@jgu.edu.in

Hosted, Implemented & Customized by: BestBookBuddies   |   Maintained by: Global Library