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Lorca's poet in New York : the fall into consciousness / Betty Jean Craige.

By: Material type: TextTextSeries: Studies in Romance languages (Lexington, Ky.) ; 15.Publication details: Lexington : The University Press of Kentucky, [2015]Description: 1 online resource (107 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813162560
  • 0813162564
  • 1322600457
  • 9781322600451
Contained works:
  • García Lorca, Federico, 1898-1936. Poeta en Nueva York
Subject(s): Genre/Form: Additional physical formats: Print version:: Lorca's Poet in New York : The Fall into Consciousness.DDC classification:
  • 861/.6 23
LOC classification:
  • PQ6613.A763 P66
Online resources:
Contents:
Cover; Title; Copyright; Contents; Acknowledgments; 1. Introduction; 2. Poet in New York and Lorca's Earlier Poetry; 3. The Fall into Consciousness; 4. Poet in New York: The Vision; 5. Conclusion; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; J; K; L; M; O; P; R; S; T; W; Y.
Summary: Written in 1929--1930, when Federico García Lorca was visiting Columbia University, Poet in New York stands as one of the great Waste Land poems of the 20th century. It expresses, as Betty Jean Craige writes in this volume, ""a sudden radical estrangement of the poet from his universe""--An an estrangement graphically delineated in the dissonant, violent imagery which the poet derives from the technological world of New York. Craige here describes -- through close analysis of the structure, style, and themes of individual works in Poet in New York -- the chaos into which this world plunges t.
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Print version record.

Cover; Title; Copyright; Contents; Acknowledgments; 1. Introduction; 2. Poet in New York and Lorca's Earlier Poetry; 3. The Fall into Consciousness; 4. Poet in New York: The Vision; 5. Conclusion; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; J; K; L; M; O; P; R; S; T; W; Y.

Written in 1929--1930, when Federico García Lorca was visiting Columbia University, Poet in New York stands as one of the great Waste Land poems of the 20th century. It expresses, as Betty Jean Craige writes in this volume, ""a sudden radical estrangement of the poet from his universe""--An an estrangement graphically delineated in the dissonant, violent imagery which the poet derives from the technological world of New York. Craige here describes -- through close analysis of the structure, style, and themes of individual works in Poet in New York -- the chaos into which this world plunges t.

English.

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