Women without Class : Girls, Race, and Identity.

By:

Bettie, Julie, 1965-

Material type: Text

TextPublication details: University of California Press, 2014.Description: 1 online resourceContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

1322076081
9781322076089
9780520957244
0520957245
9780520280014
0520280016

Subject(s):

Genre/Form:

Additional physical formats: Print version:: No titleDDC classification:

305.235

LOC classification:

HQ798 .B425 2014

Online resources:

Click here to access online

Contents:

Cover; Title; Copyright; Contents; Acknowledgments; Introduction to the 2014 Edition; 1. Portraying Waretown High; 2. Women without Class; 3. How Working-Class Chicas Get Working-Class Lives; 4. Hard-Living Habitus, Settled-Living Resentment; 5. Border Work between Classes; 6. Sameness, Difference, and Alliance; 7. Conclusion; Notes; References; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z.

Summary: In this examination of white and Mexican-American girls coming of age in California''s Central Valley-now with a new introduction-Julie Bettie turns class theory on its head, offering new tools for understanding the ways in which identity is constructed in relationship to race, ethnicity, gender, and sexuality. Documenting the categories of subculture and style that high school students use to understand their differences, Bettie depicts the complex identity performances of contemporary girls. The title, Women Without Class, refers at once to young working-class women who have little cultural c.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Print version record.

In this examination of white and Mexican-American girls coming of age in California''s Central Valley-now with a new introduction-Julie Bettie turns class theory on its head, offering new tools for understanding the ways in which identity is constructed in relationship to race, ethnicity, gender, and sexuality. Documenting the categories of subculture and style that high school students use to understand their differences, Bettie depicts the complex identity performances of contemporary girls. The title, Women Without Class, refers at once to young working-class women who have little cultural c.